Portal:Pan-Africanism

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Introduction

Welcome to the Pan-Africanism portal!
Bienvenue sur le portail panafricanisme!
The Pan-African flag, designed by the UNIA and formally adopted on August 13, 1920.
Marcus Garvey (17 August 1887 – 10 June 1940) : A prominent Pan-Africanist. In this 1922 picture, Garvey is shown in a military uniform as the "Provisional President of Africa" during a parade on the opening day of the annual Convention of the Negro Peoples of the World at Lenox Avenue in Harlem, New York City.

Pan-Africanism is a worldwide movement that aims to encourage and strengthen bonds of solidarity between all indigenous peoples and diasporas of African ancestry. Based on a common goal dating back to the Atlantic slave trade, the movement extends beyond continental Africans with a substantial support base among the African diaspora in the Americas and Europe.

Pan-Africanism can be said to have its origins in the struggles of the African people against enslavement and colonization and this struggle may be traced back to the first resistance on slave ships—rebellions and suicides—through the constant plantation and colonial uprisings and the "Back to Africa" movements of the 19th century. Based on the belief that unity is vital to economic, social, and political progress, it aims to "unify and uplift" people of African ancestry. (Full article...)

Selected article

The Black Panther Party (BPP), originally the Black Panther Party for Self-Defense, was a political organization founded by Bobby Seale and Huey Newton in October 1966. The party was active in the United States from 1966 until 1982, with international chapters operating in the United Kingdom in the early 1970s, and in Algeria from 1969 until 1972.

At its inception on October 15, 1966, the Black Panther Party's core practice was its armed citizens' patrols to monitor the behavior of officers of the Oakland Police Department and challenge police brutality in Oakland, California. In 1969, community social programs became a core activity of party members. The Black Panther Party instituted a variety of community social programs, most extensively the Free Breakfast for Children Programs, and community health clinics to address issues like food injustice. The party enrolled the most members and made the greatest impact in the Oakland-San Francisco Bay Area, New York, Chicago, Los Angeles, Seattle, and Philadelphia.

Selected biography

Henry Sylvester Williams
S.Ẃilliams (1905) by E.H. Mills
Born(1869-02-15)15 February 1869
Arouca, Trinidad
Died26 March 1911(1911-03-26) (aged 42)
Trinidad
OccupationBarrister
Known forPan-Africanism

Henry Sylvester Williams (15 February 1869 – 26 March 1911) was a Trinidadian lawyer, councillor and writer, most noted for his involvement in the Pan-African Movement. As a young man he went to North America to further his education, and subsequently to Britain, where in 1897 he formed the African Association to challenge paternalism, racism and imperialism; the association aimed to "promote and protect the interests of all subjects claiming African descent, wholly or in part, in British colonies and other place, especially Africa, by circulating accurate information on all subjects affecting their rights and privileges as subjects of the British Empire, by direct appeals to the Imperial and local Governments." In 1900 Williams organised the First Pan-African Conference, held at Westminster Town Hall in London. In 1903 he went to practise as a barrister in South Africa, becoming the first black man to be called to the bar in the Cape Colony.

Selected history

Traditional African religions have faced persecution from the proponents of different ideologies. Adherents of these religions have been forcefully converted to Islam and Christianity, demonized and marginalized. The atrocities include killings, waging war, destroying of sacred places, and other atrocious actions.

After the establishment of Islam, its rapid expansion and conquests displaced traditional African religions either by conversion or conquest. Traditional African religions have influenced Islam in Africa, and Islam is considered as having more commonality with traditional African religions, but conflict has occurred, especially due to Islam's monotheistic stance and the rise of Muslim reformers such as Askia.

In the Senegambia region, the Serer people who held "a strong connection to their ancient religious past" became the targets of Islamic jihads and persecution from the 11th to the 19th-century resulting in the Battle of Fandane-Thiouthioune.

Traditional African religions are tolerant of other gods, which allows general co-existence for multiple religions. This has been regarded by some authors to be another reason behind the rise of other religions in Africa. Most followers of traditional religions accommodated Islam during the start of its spread in Africa, but in West Africa, it was not until the coming of colonialism that Islam gained mass appeal, transforming even groups with historical animosity towards Islamic domination into Muslim communities.

In many instances, conflicting groups chose to align with Muslim armies against other African communities.

Quotes







Selected culture

Mask; wood coloured with kaolin; by Punu people from Gabon; Musée du quai Branly (Paris)
Statuette; 19th-20th century; by Mambila people from Nigeria; Musée du quai Branly

African art describes the modern and historical paintings, sculptures, installations, and other visual culture from native or indigenous Africans and the African continent. The definition may also include the art of the native African, African diasporas, such as African American, Caribbean and other American art. Despite this diversity, there are some unifying artistic themes when considering the totality of the visual culture from the continent of Africa.

Masquerade, metalwork, sculpture, architecture, fiber art, and dance are important art forms across Africa and may be included in the study of African art. The term "African art" does not usually include the art of the North African areas along the Mediterranean coast, as such areas had long been part of different traditions. For more than a millennium, the art of such areas had formed part of Islamic art, although with many particular characteristics. The art of Ethiopia, with a long Christian tradition, is also different from that of most of Africa, where traditional African religion (with Islam in the north) was dominant until relatively recently. African art includes ancient art, Muslim art of North and West Africa, the Christian art of East Africa, and the ritualistic art of these and other regions. Most African sculpture was historically in wood and other natural materials that have not survived from earlier than, at most, a few centuries ago; older pottery figures can be found from a number of areas. Masks are important elements in the art of many peoples, along with human figures, often highly stylized. There is a vast variety of styles, often varying within the same context of origin depending on the use of the object, but wide regional trends are apparent; sculpture is most common among "groups of settled cultivators in the areas drained by the Niger and Congo rivers" in West Africa. Direct images of deities are relatively infrequent, but masks in particular are or were often made for religious ceremonies; today many are made for tourists as "airport art". Since the late 19th century there has been an increasing amount of African art in Western collections, the finest pieces of which are now prominently displayed.

African mask art has had an important influence on European Modernist art, which was inspired by their lack of concern for naturalistic depiction.

West African cultures developed bronze casting for reliefs, like the famous Benin Bronzes, to decorate palaces and for highly naturalistic royal heads from around the Bini town of Benin City, Edo State, in terracotta as well as metal, from the 12th–14th centuries. Akan goldweights are a form of small metal sculptures produced over the period 1400–1900; some apparently represent proverbs, contributing a narrative element rare in African sculpture; and royal regalia included impressive gold sculptured elements. Many West African figures are used in religious rituals and are often coated with materials placed on them for ceremonial offerings. The Mande-speaking peoples of the same region make pieces from wood with broad, flat surfaces and arms and legs shaped like cylinders. In Central Africa, however, the main distinguishing characteristics include heart-shaped faces that are curved inward and display patterns of circles and dots.

Selected images

Organisations

All-African People's Revolutionary Party  · African Society for Cultural Relations with Independent Africa  · African Unification Front  · African Union  · African Queens and Women Cultural Leaders Network  · Conseil de l'Entente  · Convention People's Party  · East African Community  · Economic Freedom Fighters  · Global Afrikan Congress  · International African Service Bureau  · International League for Darker People  · Organisation of African Unity  · Pan African Association  · Pan-African Congress  · Pan Africanist Congress of Azania  · Rassemblement Démocratique Africain  · Pan Africa Chemistry Network  · Pan African Federation of Accountants  · Pan-African Freedom Movement for East and Central Africa  · Sahara and Sahel Observatory  · UNIA-ACL  · ZANU–PF

See also



&

Festivals

Grand Durbar in Kaduna State in the occasion of Black and African Festival of Arts and Culture, 15 January - 12 February 1977.

Photo by Helinä Rautavaara (1977)

Publications

  • Awakening the Natural Genius of Black Children (1992) by Dr. Amos N. Wilson
  • Blueprint for Black Power: A Moral, Political and Economic Imperative for the Twenty-First Century (1998) by Dr. Amos N. Wilson
  • Afrikan-Centered Consciousness Versus the New World Order: Garveyism in the Age of Globalism (1999) by Dr. Amos N. Wilson
  • The Cress Theory of Color-Confrontation and Racism (White Supremacy) (1970) by Dr. Frances Cress Welsing
  • The Isis Papers: The Keys to the Colors (1991) by Dr. Frances Cress Welsing
  • The root cause of the bread and butter demonstration (1959) by Alieu Ebrima Cham Joof

Films and TV

Audios and videos

Did you know

Flag of Benin.
...that the colours of the Flag of Benin (pictured) allude to the Pan-Africanist movement and pay tribute to Ethiopia, the oldest independent country in Africa?

Selected quotes

In addressing the first ever conference of the Organization of African Unity (1st May 1963). The Gambian Pan-Africanist and nationalist Alieu Ebrima Cham Joof delivered the following message:



Pan-Africanism topics

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