Víctimas del Vaciamiento

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Víctimas del Vaciamiento
Studio album by
Hermética
ReleasedMarch 1994
RecordedAugust–September 1993
StudioEstudios del Abasto, Buenos Aires
GenreThrash metal
LabelRadio Trípoli Discos
Hermética chronology
En vivo 1993 Argentina
(1993) 		Víctimas del Vaciamiento
(1994) 		Lo último
(1995)

Víctimas del Vaciamiento is the third and last studio album of Argentine thrash metal band Hermética, released in 1994 by Radio Trípoli Discos. It was certified gold, and the band broke up shortly after promoting the album at the Estadio Obras Sanitarias.

Background

Hermética's first drummer, Tony Scotto, left the band in 1991 and was replaced by Claudio Strunz, right before they recorded Ácido Argentino. The album was certified gold by the Argentine Chamber of Phonograms and Videograms Producers (CAPIF) for its sales in Argentina.[1] The label, Radio Tripoli, proposed them to make the new album in a studio of Miami or Los Angeles. The leader Ricardo Iorio rejected the proposal, preferring to stay in the country.[2]

Production

Drummer Claudio Strunz had better recording conditions than in Ácido Argentino, as he had both more time to practice the songs and experience with the band. Unlike the previous album, the new one had more varied song structures, and a higher coordination with the guitar style of Antonio Romano. The working name for the album was "Desde adentro" (Spanish: "From the inside"); it was later changed to "Víctimas del Vaciamiento", a song from their first album, Hermética.[3] The band asked the plastic artist Marina Devesa to do the artwork, based on ideas of Iorio, who wanted a cover similar to the style of Hieronymus Bosch. The artwork was rejected because it turned out to be similar to that of a Spanish band. She made a new version, which was also rejected. Then the band asked Christian Heredia, a painter that designed banners for the band, to rework Devesa's last artwork, and created the definitive one.[4]

Ricardo Iorio wrote all the lyrics of the album. Unlike previous albums, where songs addressed several topics, each song of the new album was focused on a specific topic.[5] For example, "Otro día para ser" is about environmentalism, "Olvídalo y volverá por más" is about the corruption scandals involving the mayor of Buenos Aires Carlos Grosso, "Hospitalarias realidades" is about health care in Argentina, "Buscando razón" is about musicians who change their music genres, and "Del colimba" is about Conscription in Argentina.[6] The album also includes a song, "Moraleja", a folklore song in stark contrast with the thrash metal of the rest of the album. The band clarified in interviews that this song was composed during tours as a joke.[4]

Promotion and break-up

The band initially considered promoting the album with a concert in Stadium, the venue where they recorded En vivo 1993 Argentina. The idea was discarded, as the place was not large enough to accommodate their growing audience. Instead, they made a concert at the Estadio Obras Sanitarias. They recorded a live album, including a thrash metal cover version of the song De los pagos del tiempo by folk singer José Larralde. As the album was certified gold, they arranged to receive the award on-stage, during the concert.[7]

The band broke up a few months later. The relations among the members of the band became more conflictive. The singer Claudio O'Connor said that he shifted "from leader to tyrant, but we could not go on without him because the name is his and the lyrics are his. He had a lot of clout inside the band".[8] He also claimed that the money was distributed unevenly among the members of the band, with Iorio keeping the 40% of the band's earnings. After the breakup Iorio started the band Almafuerte, with guitarist Claudio Marciello and drummer Claudio Cardacci.[9] The other members of Hermética stayed together as Malón.[8]

Reception

Sebastian Chavez from Rolling Stone consider Victimas del Vaciamiento one of the best last albums of any band, and thinks that perhaps it is so good because no other Hermética albums were made after it. He considers that the presidency of Carlos Menem would be an unavoidable topic of discussion when talking about the album.[10]

Track listing

All lyrics written by Ricardo Iorio.

No.TitleLyricsMusicLength
1."Soy de la Esquina"Ricardo IorioAntonio Romano3:07
2."Otro Día Para Ser"Ricardo IorioAntonio Romano5:02
3."Traicion"Ricardo IorioAntonio Romano3:10
4."Olvidalo y Volvera Por Mas"Ricardo IorioAntonio Romano3:58
5."Hospitalarias Realidades"Ricardo IorioAntonio Romano3:22
6."Buscando Razon"Ricardo IorioRicardo Iorio3:39
7."Cuando Duerme La Ciudad"Ricardo IorioRicardo Iorio4:46
8."Ayer Deseo, Hoy Realidad"Ricardo IorioRicardo Iorio3:19
9."Del Colimba"Ricardo IorioRicardo Iorio4:09
10."Moraleja"Ricardo IorioRicardo Iorio/Traditional2:45
11."Tano Solo"(instrumental)Antonio Romano5:55

Personnel

Band
Others
  • Alvaro Villagra - Sound engineer, keyboards on «Otro día para ser» and «Cuando duerme la ciudad», piano on «Moraleja»
  • Marcelo Tommy Moya - Management
  • Marcelo Caputo - Management
  • Sergio Fasanelli - Executive producer

Bibliography

  • Blumetti, Frank; Mora, Miguel (October 1993). "Hermética: el sonido de la gente". Madhouse Extra (in Spanish) (2). Buenos Aires: Editorial Llamoso.

References

  1. ^ Blumetti, pp. 6-7
  2. ^ Iorio, Ricardo (September 1993). "Ni víctimas ni cambio" (Interview). Interviewed by Metal.
  3. ^ Blummeti, p. 7
  4. ^ a b Manuela Belén Calvo (January 2015). "La Historia Argentina en la portada de los discos de la banda Hermética" [The history of Argentina in the covers of the albums of the band Hermética] (in Spanish). National University of the Center of the Buenos Aires Province. Retrieved July 12, 2024.
  5. ^ Iorio, Ricardo (September 1994). "El Heavy metal es el verdadero movimiento del Rock". Madhouse (Interview). No. 44. Interviewed by César Fuentes Rodríguez. pp. 4–5.
  6. ^ Ignacio Andrés Amarillo (October 24, 2023). "Ricardo Iorio: 61 años evitando el ablande" [Ricardo Iorio: 61 years avoiding softening] (in Spanish). El Litoral. Retrieved July 12, 2024.
  7. ^ Feijoo, Sebastián (1994). "Ayer deseo, hoy realidad". Madhouse. No. 48. Argentina: Editorial Llamoso. p. 34.
  8. ^ a b Sergio Marchi (October 24, 2023). "La historia que no sabías de Ricardo Iorio, las peleas y separación de Hermética" [The stories you did not know about Ricardo Iorio, the fights and break-up of Hermética] (in Spanish). Clarín. Retrieved July 11, 2024.
  9. ^ "De qué murió Ricardo Iorio, el mito del heavy metal argentino" [The cause of death of Ricardo Iorio, the myth of Argentine heavy metal] (in Spanish). La 100. October 24, 2023. Retrieved July 12, 2024.
  10. ^ Sebastian Chavez (October 30, 2023). "Ricardo Iorio: 10 discos esenciales de una obra brutal" [Ricardo Iorio: 10 essential albums of a brutal body of works] (in Spanish). Rolling Stone. Retrieved July 12, 2024.

External links

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