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The Countess Report is an independent artist-run research project which is led by artists Amy Prcevich, Elvis Richardson, Miranda Samuels and Shevaun Wright; although it often welcomes guest collaborators.[1] Its aim is to achieve gender parity and recognition for Australian women artists.[2][3] To do so it publishes data and analysis on trends in the gender representation, the education of, the distribution of arts funding and media representation in the Australian art sector. [1]

The report is published every four years and its aim is both to advocate for the arts industry in Australia and serve as a piece of work in and of itself.[1][4]

The results of the report are regularly reported in mainstream and arts media and has led to policy changes to major galleries; including the National Gallery of Australia.[5]

The report

The report was first released in 2008 by Richardson on her blog called CoUNTess to make more data publicly available about the lack of gender representation in major galleries. it has continued to grow since then and has the backing of the National Association of Visual Artists, Creative Australia and the Sheila Foundation.[4]

The first formal report was published in 2014 and was followed by reports in 2018 and 2022. Data is gathered from more then 450 galleries and museums as well as from approximately 22,000 artists.[2][6] The 2022 report, which was launched in May 2024,[7] showed that the proportion of women artists exhibiting across 7 of 9 gallery types declined between 2018 and 2022 and that women only accounted for 33.6% of exhibiting artists in state galleries and only 30.5% of artists in major museums. This shows a drop from the 2014 report when 37% of exhibiting artists were women and 2018 when the number was 34%.[4]

The 2022 report showed that men continued to dominate in gallery representation with the exception of the opposite trend for First Nations artists where women significantly outnumber men; there is, however, increased representation of non-binary identified artists.[8] The 2022 report also showed that, in most gallery types, First Nations artists were underrepresented in solo exhibitions and that representation ranged from 6.5% in artist-run initiatives, 7% in major museums and 26% at university and state galleries.[6]

The National Gallery of Australia

In early 2019 the National Gallery of Australia, under the directorship of Nick Mitzevich, began undertaking collection analysis by gender in collaboration with the Countess Report. The gallery found that 25% of the Australian art collection and 33% of the First Nations collection were by women artists and of acquisitions made between 2014 and 2018 only 27% of the artworks were by women.[5]

To address this the gallery acknowledged the imbalances and introduced a five-year gender equity action plan in 2022 in which they committed to the 50-50 gender representation target.[4][9][10] They also began the Know My Name (exhibition), which opened in November 2020, to shine the spotlight on female artists.[11][12]

From these initiatives the National Gallery has increased it's representation significantly to 84.4% and is recognised, by the Countess Report, as the top performing major gallery.[4]

Additional resources

The Countess Report is also the commissioning partner of Clear expectations: guidelines for institutions, galleries and curators working with trans, non-binary and gender diverse artists (2019).[13] This guideline is a best practice guide for working with trans, non-binary and gender diverse creatives.[14][15]

References

  1. ^ a b c "About the Countess.Report". countess.report. Retrieved 2 July 2024.
  2. ^ a b "The Countess Report – Sheila Foundation". Retrieved 2 July 2024.
  3. ^ "CoUNTess Report — Elvis Richardson". elvisrichardson.com. Retrieved 2 July 2024.
  4. ^ a b c d e Freeland, Anna (30 April 2024). "A damning new report shows that women are still not being represented fairly in Australian galleries". ABC News. Retrieved 2 July 2024.
  5. ^ a b Little, Elizabeth; Simpson, Lea (1 March 2023). "Counts Count: Collections Analysis and Gender Equity at the National Gallery of Australia Research Library and Archives". Art Documentation: Journal of the Art Libraries Society of North America. 42 (1): 24–35. doi:10.1086/728258. ISSN 0730-7187.
  6. ^ a b Reid, Leya. "Launch of the 2022 Countess Report reveals stagnation of gender equity across the visual arts since the previous assessment". NAVA. Retrieved 11 July 2024.
  7. ^ "Launch: 2022 Countess Report". ACCA. Retrieved 11 July 2024.
  8. ^ "Counting Gender: The Countess Report's urgent call for action". www.artshub.com.au. 10 May 2024. Retrieved 11 July 2024.
  9. ^ "National Gallery launches first Gender Equity Action Plan". National Gallery of Australia. Retrieved 15 July 2024.
  10. ^ "Gender Equity". National Gallery of Australia. Retrieved 15 July 2024.
  11. ^ "This is Dr Auntie Matilda House. She wants you to know her name". ABC News. 13 November 2020. Retrieved 11 July 2024.
  12. ^ Anatolitis, Esther. "New Countess Report: Independent sectors lead the visual arts in gender equality, while state institutions fall behind". NAVA. Retrieved 11 July 2024.
  13. ^ Messih, Spence; Barry, Archie (2019). "Clear Expectations: Guidelines for institutions, galleries and curators working with trans, non-binary and gender diverse artists" (PDF). Countess Report. Archived from the original (PDF) on 2 July 2024. Retrieved 2 July 2024.
  14. ^ Benton, Penelope. "Clear Expectations: Guidelines for institutions, galleries and curators working with trans, non-binary and gender diverse artists in Australia". NAVA. Retrieved 2 July 2024.
  15. ^ PGAV. "Clear expectation: guidelines for institutions, galleries and curators working with trans, non-binary and gender diverse artists in Australia". pgav.org.au. Retrieved 2 July 2024.
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