Talk:Vic Coppersmith-Heaven
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Copyright problem
This article has been tagged as part of a large-scale clean-up project of multiple article copyright infringement. (See the investigation subpage) It will likely be deleted after one week unless it can be verified to be free of infringement. For legal reasons, Wikipedia cannot accept copyrighted text or images borrowed from other web sites or printed material; such additions must be deleted. Major contributions by contributors who have been verified to have violated copyright in multiple articles may be presumptively deleted in accordance with Wikipedia:Copyright violations.
Interested contributors are invited to help clarify the copyright status of this material or rewriting the article in original language at the temporary page linked from the article's face. Please see our guideline on non-free text for how to properly implement limited quotations of copyrighted text. --Moonriddengirl (talk) 22:03, 31 December 2009 (UTC)
- The major source for this article is not viewable online; nevertheless, it is possible to see copying in some of the content that is. For instance, the article says:
Originally 'billed' as Vic Smith his work with "David Watts" was a sparkling cover version of a The Kinks song, and "'A' Bomb in Wardour Street" recaptured their earlier, focused energy. Most importantly, what came to be known as the 'Jam sound' was there for the first time - clean and tight; hard and shiny like a diamond. Chris Parry had realised that while he was co-producing the band, there were too many ideas flying around pulling the band in too many directions, so he stepped down and left things in the hands of Smith (who later renamed himself Vic Coppersmith-Heaven, apparently inspired by his girlfriend) who focused on capturing the energy that the band generated while playing live as cleanly as possible.
- This source, cited, says:
'David Watts' was a sparkling cover of a mid-period Kinks song, and 'A-Bomb in Wardour Street' recaptured their earlier, focused energy. Most importantly, what came to be known as the 'Jam sound' was there for the first time - clean and tight; hard and shiny like a diamond. Chris Parry had realised that while he was co-producing the band, there were too many ideas flying around pulling the band in too many directions, so he stepped down and left things in the hands of engineer Vic Smith (who later renamed himself Vic Coppersmith-Heaven, apparently inspired by his girlfriend6) who focused on capturing the energy that the band generated while playing live as cleanly as possible.
- Unfortunately, it's necessary to presume that all of the content was problematic at article creation. --Moonriddengirl (talk) 22:03, 31 December 2009 (UTC)
External links modified
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- Added archive https://web.archive.org/20090325101012/http://www.davalmusic.co.uk:80/gravytrain.htm to http://www.davalmusic.co.uk/gravytrain.htm
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Different Vic Smith
Can it be checked that the Vic Smith involved in Bodacious DF was this one? I understand that there's an American (possibly California-based) Vic Smith who played in Grootna and Bodacious DF who I suspect may have been confused with this one. --Matt Westwood 10:56, 17 December 2017 (UTC)