Talk:The Blue Bird (Stanford)

From WikiProjectMed
Jump to navigation Jump to search
WikiProject iconClassical music: Compositions
WikiProject iconThis article is within the scope of WikiProject Classical music, which aims to improve, expand, copy edit, and maintain all articles related to classical music, that are not covered by other classical music related projects. Please read the guidelines for writing and maintaining articles. To participate, you can edit this article or visit the project page for more details.Classical musicWikipedia:WikiProject Classical musicTemplate:WikiProject Classical musicClassical music articles
Taskforce icon
This article is supported by Compositions task force.

Discography needs work

I know there are several other recordings, including complete ones of op. 119. The Cambridge Singers is just one I happen to own. David Brooks (talk) 16:32, 21 December 2021 (UTC)[reply]

I found some more, but I expect there are others. David Brooks (talk) 02:30, 23 April 2022 (UTC)[reply]
I've expanded the discography and clarified that the section is a "Selected" discography. I imagine there's plenty of more amateur recordings which would expand the section even more, but I've focussed on ones from notable choirs and conductors. Unexpectedlydian (talk) 14:25, 14 May 2022 (UTC)[reply]

Expanding article and reliable sources sources

I am interested in expanding this article and have found some sources which cover its background and composition. I'll start expanding upon those themes. I'm also just going through the existing sources in the article. Starting from the top, I'm wondering if [1] and [2] are particularly reliable? [1] appears to be a blog, and [2] a programme note. If I come across the same information in another reliable source I may replace the citation. Unexpectedlydian (talk) 12:43, 2 May 2022 (UTC)[reply]

GA Review

GA toolbox
Reviewing
This review is transcluded from Talk:The Blue Bird (Stanford)/GA1. The edit link for this section can be used to add comments to the review.

Reviewer: MarioSoulTruthFan (talk · contribs) 11:30, 22 June 2022 (UTC)[reply]


Infobox

 Done

Lead

  • It is one of Stanford's most renowned partsongs[1] → you can remove the reference as it already in the body of the article
  • You can add information that is contained on the Assessments and reception section, another example from the Selected discography
    • Done - added Dibble quote.
  • Add something relevant from the Structure and analysis section here

 Done

Background

  • Rename to Context
    • Done.
  • Wikilink partsongs
    • Done.
  • The form first became influential → The arrangement first became influential in England when → moved these and the previous sentences to the end of the background section.
    • "The form" in this sentence is referring to the partsong as a form of music. I have reworded to make that clearer.
  • Before composing The Blue Bird, Stanford → Before composing The Blue Bird, Charles Villiers Stanford
    • Done.
  • "Before composing The Blue Bird, Stanford had already established himself as an accomplished writer of partsongs. He began by writing three collections of Elizabethan-style partsongs, the first of which (Op. 47, 1892) was praised by the Musical Times as being among the best of their kind." → source?
    • The source is Ref[7]. I have copied the reference at the end of this sentence to make it clearer.
  • Op. 127 – published by Stainer & Bell[4] – which → Op. 127, published by Stainer & Bell[4], which

Structure and analysis

  • Retitle the section to Music and verse form, it should be a subsection, along with the section "text", under Song or Epistle
    • Sorry, not sure what you mean here. Do you mean Heading: Music and verse form. Subheading: Structure and analysis. Subheading: Text. ?
      • Almost there. Heading: Song or Epistle; Subheading (1): Music and verse form; Subheading (2): Text
        • Thank you - done.
  • The Blue Bird is in the key of G-flat major and is scored for an ensemble in five parts: soprano, divided contraltos, tenor, and bass. → source?
    • I don't think this sentence needs a source. See Wikipedia:WikiProject Classical music/Guidelines, particularly the subheading Descriptions based on the score. "In general, it is permitted to make factual observations based on examination of the musical score of a work. Such observations should be limited to those agreed upon by virtually anyone with musical training". It is clear that the piece is scored for SAATB, and that it is in G flat major. That is about as far as you can go without having to cite a source.
      • Fine, but do you have a source? MarioSoulTruthFan (talk) 22:38, 24 June 2022 (UTC)[reply]
        • The source is right there in the infobox, and as UnexpectedlyLydian says we can base this assertion on the score. Do you really want the IMSLP link to be hoisted to a footnote? David Brooks (talk) 00:17, 25 June 2022 (UTC)[reply]
          • Happy to add IMSLP as a source but it would require the reader to be musically literate anyway. Statements about the key of a work, when unambiguous, don't need sources.
  • No, let it be as it is. MarioSoulTruthFan (talk) 15:43, 25 June 2022 (UTC)[reply]
  • Wikilink G-flat major, soprano, divided contraltos, tenor, and bass.
    • Done.
  • major second which features frequently in the piece → what do you mean by this?
  • Wikilink suspended, larghetto tranquillo, E-flat
    • "Suspended" in this instance most likely refers to the fact that the note is hanging in the air - it is not a musical term. Larghetto tranquillo is a musical term meaning "rather slow" and doesn't have a Wikipedia page. Should I put a translation in the article?
  • [7]) depicts "a perfect picture of a still, hot day". → depicts "a perfect picture of a still, hot day".[7]
    • That isn't the correct supporting reference - Ref [13] (Rodmell) is. I've moved it to the end of the sentence.
  • A typical performance lasts around four minutes. → A typical performance lasts around four minutes, varying for each composer. Add it at the end of the first paragraph
    • Done - changed to conductor rather than composer.

 Done

Assessments and reception

  • Retile to Reception and legacy
    • Done.
  • Move it before the Selected discography section
    • Done.
  • In an address at the composer's centenary, the composer Herbert Howells → what do you mean with "In an address"? On top of that, avoid repetition (composer, composer)
    • "Address" in this instance means that Herbert Howells addressed (spoke to) the audience at Stanford's centenary, i.e. a formal speech delivered to an audience. I have wikilinked to public speaking - hope this works.
  • his works,[18] describes → move the source to the end of the sentence
    • Done.
  • The second paragraph becomes the first and the first the second
    • Done.

 Done

Text

  • On the image remove "Stanford's"
    • Good spot, have removed.
  • Rename to Lyrics
    • Done.
  • Use a wikitable to put the poem, see once more Gubben Noak

 Done

Selected discography

 Done

References

  • prestomusic → remove
    • Done.
  • John Rutter Composer & Conductor → publisher
    • I'm not sure what you mean here?
    • Understand now - have changed to publisher.
  • Durham University, RTÉ lyric fm, Signum Records and Schola Cantorum of The Cardinal Vaughan Memorial School → publisher, not work
  • Bitner, Walter (2020). "Off the Podium". Choral Director. Vol. 17, no. 6. → is this taken from the blog? If so its fine to use since Bitner is an expert on the field, despite being his blog
    • This is from the Choral Director - I accessed the article in the magazine via Wikipedia Library.
  • Source check: 2, 3, 9, 11, 12, 14-16, 18 and 26-28

 Done

  • Fine

Overall

 Done

Question for reviewer and editor

As the original author I don't know the protocols here, but I want to point out that in the current version the opening of Structure and analysis is the third consecutive section that starts by saying the work is a partsong. Isn't that hammering the point a bit too hard? The strophic/homophonic points are valuable, but I think the introductory phrase could be something like "As in many partsongs..." (or maybe something less awkward). David Brooks (talk) 00:35, 25 June 2022 (UTC)[reply]

Thanks

@Unexpectedlydian and MarioSoulTruthFan: I'm overwhelmed by the improvements you have wrought to this article; my last version seems pretty rudimentary now. Even that was helped along by Onel5969. I was moved to create the article when I realized how frequently I was hearing the song on classical streaming stations even in the US, and by some happy memories of Cambridge University in the 60's. I started by uploading my personal copy to IMSLP, and then replicating the first page on Commons, which leads to one request. Since mine happens to be the US imprint, it would be lovely if someone could upload the Stainer & Bell to both places, preferably free of the remains of pencil marks!

I noticed that MSTF corrected "emphasise" to "emphasize". I was tempted to revert that and slap a {{Use British English}} on it, but I'll hold off because since I left the UK, I understand the "z" spelling has become more common (and of course it's Oxford-approved). Still, if another reference is made to the colour, I hope it's spelled that way. David Brooks (talk) 16:09, 25 June 2022 (UTC)[reply]

Sorry, I'm more used to the American English, but feel free to revert that edit (but only that). Since the article is from an UK composer. MarioSoulTruthFan (talk) 16:21, 25 June 2022 (UTC)[reply]
I'll leave that decision to Unexpectedlydian who is probably more familiar with contemporary semi-formal UK conventions. See the relevant MOS entry for the source of my ambivalence on -i[sz]e. David Brooks (talk) 19:19, 25 June 2022 (UTC)[reply]
I have changed back to "emphasises" as that is the more common spelling in British English (not a deal-breaker, though). And @DavidBrooks many thanks for creating the article in the first place! Unexpectedlydian♯4talk‽ 13:56, 26 June 2022 (UTC)[reply]
I tossed in a {{Use British English}} marker, partly to help EngVarB and partly as a prophylactic against future US-English spelling gnomes (intending no disrespect to MSTF; I'm a gnome myself). I just discovered for the first time {{Use Oxford spelling}} which could have worked if you had gone the other way. David Brooks (talk) 14:47, 26 June 2022 (UTC)[reply]

Position of generic partsong description

I hate to do this after GA approval, but I think the last sentence of "Context" (The form first became influential...early 19th century choral societies) doesn't really fit there. It belongs near the beginning of "Music and verse form", which provides the generic description of partsong. That said, there may be a conceptual clash between "intimate settings" and "choral societies". @Unexpectedlydian and MarioSoulTruthFan: thoughts? David Brooks (talk) 22:23, 27 June 2022 (UTC)[reply]

It makes a "bridge" between sections, its a generic description with some history. The next section describes what really is into detail. Just because it is a GA, nothing is set into stone as articles can/should always be improved. However, I strongly believe both of you, who have a much better comprehension of the subject than I do, can make the right call. So if you too decided to move it somewhere else, I'm fine with it. Cheers, MarioSoulTruthFan (talk) 00:47, 28 June 2022 (UTC)[reply]
Retrieved from "https://mdwiki.org/wiki/Talk:The_Blue_Bird_(Stanford)"