Maxime Moses Alexandre

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For the Belgian cinematographer, see Maxime Alexandre.

Maxime Moses Alexandre (1899–1976) was a French poet associated with Surrealism.

Life

Maxime Alexandre was born into a liberal Jewish family in Wolfisheim. There his first language was German, although his family moved to Lausanne during World War I. There he learnt French, and was introduced to Romain Rolland by René Schickelé.[1]

Alexandre was active in the surrealist movement from its inception in 1924 until 1929, when he followed Louis Aragon out of the group. He contributed to both La Révolution surréaliste and Le Surréalisme au service de la révolution.[2] A Communist, he also worked for the French Communist Party newspaper L'Humanité. He was imprisoned when World War II started.[1]

In 1949 Alexandre converted to Roman Catholicism, though he later left the church in reaction to what he felt was the church's anti-Semitism.[1]

Works

  • Les dessins de la liberté. 1927
  • Le Corsage, 1931
  • Mythologie personnelle, 1933
  • Le Mal de nuit, 1935
  • Sujet a l'amour, 1937
  • Cassandre de Bourgogne, 1939
  • Les yeux pour pleurer, 1945
  • Le Juif errant, 1946
  • Durst und Quelle, 1952
  • La Peau et les os, 1956
  • L'enfant de la terre, 1965. With illustrations by Jean Arp.
  • Mémoires d'un surréaliste, 1968
  • L'oiseau de papier, 1973. With illustrations by Jean Arp.
  • Journal 1951–1975, 1976

References

  1. ^ a b c Aspley, Keith (2010). "Alexandre, Maxime (1899–1976)". Historical Dictionary of Surrealism. Scarecrow Press. p. 30. ISBN 978-0-8108-5847-3.
  2. ^ Pierre, Jose (1992). Investigating Sex: Surrealist Research, 1928–1932. Verso. p. 173. ISBN 978-0-86091-603-1.

Jean Rousselot. Dictionnaire de la poesie francaise contemporaine 1968, Auge, Guillon, Hollier -Larousse, Mooreau et Cie.-Librairie Larousse, Paris

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