Hyleme

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A hyleme (from the ancient Greek ὕλη hýlē "wood [in the sense of 'raw material'], substance, matter") is - analogous to terms such as morpheme, phoneme or mytheme - a "smallest plot-carrying unit of a narrative material".[1] The term was coined in the context of transdisciplinary research groups on myth research at the University of Göttingen,[2][3] the method being taken up by the myth researcher Udo Reinhardt[4] and rewarded with the prize of the Peregrinus Foundation in 2023.[5] Narrative material research (Stoffwissenschaft) itself is referred to as hylistics, which was primarily developed as a method for researching ancient myths, but can principially be applied to all genres of narrative material.

In distinction to the literary terms of event and motif, the use of which is primarily limited to literary texts, the hyleme is intended to describe a transmedial unit of narrative material that can be extracted from different medial concretions and is itself "not fixed to a particular medial design or individual language".[6] "Hylemes cannot be postulated deductively, but can only be obtained inductively by extraction from individually available medial concretions. Just as phonemes and morphemes only become tangible in the form of certain individual phones and morphemes, hylemes are only tangible in their different medial forms of concretion."[7] The process of extracting a sequence of hylemes (hyleme sequence) from a medial concretion is referred to as hyleme analysis.

A hyleme as the "smallest action-bearing unit" basically comprises a statement that consists of at least one subject and predicate, to which further (direct or indirect) objects and/or determinations can be added. Hylemes are always formulated in the active state, even if the logical agent is unknown: instead of "Prometheus is punished", the hyleme reads "Zeus punishes Prometheus" or "NN punishes Prometheus" (if the agent is unknown).[8]

Hylemes include not only actions in the narrower sense, but also processes and statements about states and characteristics. Zgoll 2019 distinguishes between dynamic ("Zeus kills Erechtheus") and static hylemes ("Zeus is the king of the gods").[9] This division was revised in later publications in favour of a division into punctual and durative hylemes, the latter being divided into durative-constant (always applies: "Zeus is the son of Kronos. "), durative-initial (applies at the beginning of the plot, but not forever: "Zeus is unmarried") and durative-resultative hylemes (applies only in the course of the plot: "Zeus is the husband of Hera").[10]

Hyleme analysis

In a hyleme analysis, all the information of a given medium - e.g. a text - is reproduced in the standardised form of hylemes. A second step consists of reconstructing the logical sequence of actions, which not necessarily has to correspond to the sequence of statements in the text, as well as any implicit hylemes that can inevitably be reconstructed.[11]

Example

A mythical material in the concretion of a text can read as follows:

"When Chryse, the daughter of Pallas, was married to Dardanos, she brought with her as a dowry gifts from Athena, namely the shrines of the great gods."[12]

The following hylemes can be extracted from this statement:[13]

  • Chryse is the daughter of Pallas
  • Athena gives Chryse the sanctuaries of the great gods
  • Chryse brings the sanctuaries of the great gods to the wedding as a dowry
  • Dardanos marries Chryse

Here, the first statement "Chryse is the daughter of Pallas" is a static or durative-constant hyleme, while the others are dynamic/punctual hylemes. In a further step, the implicit durative-resultative hylemes "Chryse and Dardanos are (now) married" and "Chyrse is (now) the wife of Dardanos"/"Dardanos is (now) the husband of Chryse" could also be reconstructed from the given hyleme sequence. The reconstruction of implicit hylemes, which logically follow from the given hyleme sequence but are not explicitly mentioned in the text, can promise further insights, but their scope must be weighed up depending on the individual case.

Use

Hyleme analysis is a methodological tool for extracting the material (i.e. the pure content) from a medium (e.g. a literary text) and making it visible in a standardised way. This enables further investigations and insights, especially in the case of mythical hyleme sequences:

  • Reconstruction of the logical sequence of events in a complexly formulated text
  • Reconstruction of the events in a material that has only been narrated in extracts or fragments
  • Comparison of different narrative materials (e.g. Greek Typhon and Hittite Illuyanka myths) or variants (e.g. Zeus' battle against Typhon in Hesiod and Apollodorus) or different media concretisations of the same material (e.g. epic Iliad and movie Troy)
  • Recognising logical inconsistencies that can be indicators of stratification of a text or material (e.g. Bible text with several layers of editions)

Notes

  1. ^ C. Zgoll 2019, p. 112.
  2. ^ University of Göttingen: Göttinger Mythosforschung University of Göttingen: DFG Mythos-Forschungsgruppe 2064 STRATA University of Göttingen: Collegium Mythologicum.
  3. ^ Öffentlichkeitsarbeit, Georg-August-Universität Göttingen-. "11. Interdisziplinäre Klausurtagung zu antiken Mythen: Vom Mythem zum Hylem. Mythosforschung als Teil einer übergreifenden Stoff-Forschung - Georg-August-University Göttingen". Georg-August Universität Göttingen (in German). Retrieved 2024-03-26.
  4. ^ Reinhardt 2022, pp. 324-325.
  5. ^ Informationsdienst Wissenschaft: Auszeichnung in der Altorientalistik und Klassischen Philologie.
  6. ^ C. Zgoll 2019, pp. 110, 112.
  7. ^ C. Zgoll 2019, p. 114.
  8. ^ C. Zgoll 2019, p. 113.
  9. ^ C. Zgoll 2019, p. 115.
  10. ^ C. Zgoll 2021, pp. 22-24.
  11. ^ Zgoll/Cuperly/Cöster-Gilbert 2023 provides an introduction into the method.
  12. ^ Dion. Hal. ant. 1,68,3. Translation after C. Zgoll 2019, p. 116.
  13. ^ C. Zgoll 2019, p. 116.

References

  • Reinhardt, Udo (2022). Hundert Jahre Forschungen zum antiken Mythos (1918/20–2018/20). Ein selektiver Überblick (Altertum – Rezeption – Narratologie) (= Mythological Studies 5). Berlin/Boston: Walter de Gruyter GmbH. ISBN 978-3-11-078634-7
  • Zgoll, Christian (2019). Tractatus mythologicus. Theorie und Methodik zur Erforschung von Mythen als Grundlegung einer allgemeinen, transmedialen und komparatistischen Stoffwissenschaft (= Mythological Studies 1). Berlin/Boston: Walter de Gruyter GmbH. ISBN 978-3-11-054119-9
  • Zgoll, Christian (2020). Myths as Polymorphous and Polystratic Erzählstoffe. A Theoretical and Methodological Foundation. In Zgoll, Annette and Christian (eds.). Mythische Sphärenwechsel. Methodisch neue Zugänge zu antiken Mythen in Orient und Okzident (= Mythological Studies 2). Berlin/Boston: Walter de Gruyter GmbH. ISBN 978-3-11-065252-9
  • Zgoll, Christian (2021). Grundlagen der hylistischen Mythosforschung. In Gabriel, Gösta Ingvar; Kärger, Brit; Zgoll, Annette and Christian (eds.). Was vom Himmel kommt. Stoffanalytische Zugänge zu antiken Mythen aus Mesopotamien, Ägypten, Griechenland und Rom (= Mythological Studies 4). Berlin/Boston: Walter de Gruyter GmbH. ISBN 978-3-11-074300-5
  • Zgoll, Annette; Cuperly, Bénédicte; Cöster-Gilbert, Annika (2023). In Search Of Dumuzi: An Introduction to Hylistic Narratology. In Konstantopoulos, Gina and Helle, Sophus (eds.). The Shape of Stories. Narrative Structures in Cuneiform Literature (= Cuneiform Monographs 54). Leiden: Brill, pp. 285–350. doi:10.1163/9789004539761_013 ISBN 978-90-04-53976-1
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