Anne Dunlop

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Anne Dunlop
FAHA
Academic background
EducationQueen's University at Kingston
University of British Columbia
Alma materUniversity of Warwick
ThesisAdvocata nostra: Central Italian paintings of Mary as the Second Eve, c.1335–c.1445 (1997)
Academic work
InstitutionsUniversity of Melbourne

Anne Elizabeth Dunlop FAHA is a Canadian-born art historian. As of 2022 she is Herald Chair of Fine Art at the University of Melbourne.

Education

Dunlop graduated with a BA from Queen's University at Kingston in Canada. She next completed an MA at the University of British Columbia.[1] She moved to the University of Warwick in Coventry, England where she gained her PhD with a thesis titled "Advocata nostra: Central Italian paintings of Mary as the Second Eve, c.1335–c.1445".[2]

Career

In 2009–2010 Dunlop held a Hanna Kiel Fellowship at Villa I Tatti in Florence.[3] While at Tulane University in 2012–2013, she was a Samuel H. Kress senior fellow, focusing her research on "Castagno's Crime: Andrea del Castagno and Quattrocento Painting",[4] in preparation for publication of Andrea del Castagno and the Limits of Painting in 2015. From August to December 2016 she was Robert Lehman visiting professor at Villa I Tatti, where she conducted a survey of "The Golden Renaissance".[5]

Dunlop was elected a Fellow of the Australian Academy of the Humanities in 2019.[6] In the same year she was appointed to the advisory board of Melbourne University Publishing in the field of art history.[7]

In 2015 Dunlop was named Herald Chair of Fine Arts by the University of Melbourne.[8] She serves as an Australian national delegate to the International Congress of the History of Art.[9]

Selected publications

Scholia has a profile for Anne Dunlop (Q75624990).
  • Bourdua, Louise; Dunlop, Anne, eds. (2007), Art and the Augustinian order in early Renaissance Italy, Ashgate, ISBN 978-1-315-26214-7
  • Dunlop, Anne (2009), Painted palaces: The rise of secular art in early Renaissance Italy, Pennsylvania State University Press, ISBN 978-0-271-03408-9
  • Dunlop, Anne (2015), Andrea del Castagno and the limits of painting, Harvey Miller Publishers, ISBN 978-1-909400-18-4
  • Anderson, Christy; Dunlop, Anne; Smith, Pamela H., eds. (31 December 2014), The matter of art: Materials, practices, cultural logics, c.1250-1750, Manchester University Press (published 2015), ISBN 978-0-7190-9060-8
  • Dunlop, Anne, ed. (2018), Antipodean early modern: European art in Australian collections, c. 1200–1600, Amsterdam University Press, ISBN 978-90-485-3623-8

References

  1. ^ "Prof Anne Dunlop". findanexpert.unimelb.edu.au. Retrieved 25 January 2022.
  2. ^ Dunlop, Anne Elizabeth (1997). Advocata nostra: Central Italian paintings of Mary as the Second Eve, c.1335–c.1445 (Ph.D. thesis). University of Warwick.
  3. ^ "Anne Dunlop". I Tatti | The Harvard University Center for Italian Renaissance Studies. Retrieved 25 January 2022.
  4. ^ "National Gallery of Art Center for Advanced Study in the Visual Arts Announces 2012–2013 Appointments". ArtfixDaily. 12 September 2012. Retrieved 25 January 2022.
  5. ^ "I Tatti Appointees 1961–2021" (PDF). Villa I Tatti, The Harvard University Center for Italian Renaissance Studies. Retrieved 25 January 2022.
  6. ^ "Fellow: Anne Dunlop". Australian Academy of the Humanities. Retrieved 25 January 2022.
  7. ^ "MUP appoints new directors, editorial advisory board". Books+Publishing. 14 March 2019. Retrieved 25 January 2022.
  8. ^ "Professor Anne Dunlop, University of Melbourne, Free Public Lecture". Australian and New Zealand Association for Medieval and Early Modern Studies. 29 April 2016. Retrieved 29 January 2022.
  9. ^ "Professor Anne Dunlop". The University of Melbourne: Centre of Visual Art. 30 November 2018. Retrieved 25 January 2022.
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