Portal:Rock music

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Rock is a broad genre of popular music that originated as "rock and roll" in the United States in the late 1940s and early 1950s, developing into a range of different styles from the mid-1960s, particularly in the United States and the United Kingdom. It has its roots in 1940s and 1950s rock and roll, a style that drew directly from the genres of blues, rhythm and blues, and from country music. Rock also drew strongly from genres such as electric blues and folk, and incorporated influences from jazz and other musical styles. For instrumentation, rock has centered on the electric guitar, usually as part of a rock group with electric bass guitar, drums, and one or more singers. Usually, rock is song-based music with a ⁴
₄ time signature using a verse–chorus form, but the genre has become extremely diverse. Like pop music, lyrics often stress romantic love but also address a wide variety of other themes that are frequently social or political. Rock was the most popular genre of music in the U.S. and much of the Western world from the 1950s to the 2010s.

Rock musicians in the mid-1960s began to advance the album ahead of the single as the dominant form of recorded music expression and consumption, with the Beatles at the forefront of this development. Their contributions lent the genre a cultural legitimacy in the mainstream and initiated a rock-informed album era in the music industry for the next several decades. By the late 1960s "classic rock" period, a number of distinct rock music subgenres had emerged, including hybrids like blues rock, folk rock, country rock, southern rock, raga rock, and jazz rock, which contributed to the development of psychedelic rock, influenced by the countercultural psychedelic and hippie scene. New genres that emerged included progressive rock, which extended artistic elements, and glam rock, which highlighted showmanship and visual style. In the second half of the 1970s, punk rock reacted by producing stripped-down, energetic social and political critiques. Punk was an influence in the 1980s on new wave, post-punk and eventually alternative rock.

From the 1990s, alternative rock began to dominate rock music and break into the mainstream in the form of grunge, Britpop, and indie rock. Further fusion subgenres have since emerged, including pop-punk, electronic rock, rap rock, and rap metal. Some movements were conscious attempts to revisit rock's history, including the garage rock/post-punk revival in the 2000s. Since the 2010s, rock has lost its position as the pre-eminent popular music genre in world culture, but remains commercially successful. The increased influence of hip-hop and electronic dance music can be seen in rock music, notably in the techno-pop scene of the early 2010s and the pop-punk-hip-hop revival of the 2020s. (Full article...)

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The following are images from various rock music-related articles on Wikipedia.

Image 1Sign commemorating the role of Alan Freed and Cleveland, Ohio, in the origins of rock and roll (from Rock and roll)
Image 2Big Joe Turner and Pete Johnson's record "Roll 'Em Pete" is regarded as a precursor to rock and roll. (from Rock and roll)
Image 3Little Richard in 1957 (from Rock and roll)
Image 4"There's No Romance in Rock and Roll" made the cover of True Life Romance in 1956. (from Rock and roll)
Image 5Nirvana were at the forefront of the 1990s grunge era. (from Hard rock)
Image 6Rush on stage in Milan, Italy, 2004 (from Hard rock)
Image 7Baker, Bruce and Clapton of Cream, whose blues rock improvisation was a major factor in the development of the genre (from Hard rock)
Image 8Elvis Presley in a promotion shot for Jailhouse Rock in 1957 (from Rock and roll)
Image 9Bill Haley and his Comets performing in the 1954 Universal International film Round Up of Rhythm (from Rock and roll)
Image 10Poison, seen here in 2008, were among the most successful acts of the 1980s glam metal era. (from Hard rock)
Image 11Led Zeppelin live at Chicago Stadium, January 1975 (from Hard rock)
Image 12Chuck Berry in 1957 (from Rock and roll)
Image 13Kiss onstage in Boston in 2004 (from Hard rock)
Image 14Drum notation for a backbeat (from Hard rock)
Image 15Golden Earring receives a gold record in 1970. (from Hard rock)
Image 16Wolfmother, 2007 (from Hard rock)
Image 17Aerosmith performing at Quilmes Rock in Buenos Aires, Argentina on April 15, 2007 (from Hard rock)
Image 18Original member Izzy Stradlin' on stage with Guns N' Roses in 2006 (from Hard rock)
Image 19The Who on stage in 1975 (from Hard rock)
Image 20Foo Fighters performing an acoustic show in 2007 (from Hard rock)
Image 21Buddy Holly and his band, the Crickets (from Rock and roll)
Image 22Tommy Steele, one of the first British rock and rollers, performing in Stockholm in 1957 (from Rock and roll)

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Christgau's Record Guide: Rock Albums of the Seventies is a music reference book by American music journalist and essayist Robert Christgau. It was first published in October 1981 by Ticknor & Fields. The book compiles approximately 3,000 of Christgau's capsule album reviews, most of which were originally written for his "Consumer Guide" column in The Village Voice throughout the 1970s. The entries feature annotated details about each record's release and cover a variety of genres related to rock music.

Christgau's reviews are informed by an interest in the aesthetic and political dimensions of popular music, a belief that it could be consumed intelligently, and a desire to communicate his ideas to readers in an entertaining, provocative, and compact way. Many of the older reviews were rewritten for the guide to reflect his changed perspective and matured stylistic approach. He undertook an intense preparation process for the book during 1979 and 1980, which temporarily hindered both his awareness of current music and his marriage to fellow writer Carola Dibbell, whom he later credited as an influence on his work.

The guide was critically well received, earning praise for its extensive discography, Christgau's judgment, and his colorful writing. Reviewers also noted his opinionated tastes, analytical commentary, pithy language, and critical quips. A staple of rock-era reference works, Christgau's Record Guide became widely popular in libraries as a source for popular music studies and as an authoritative guide for fellow critics, record collectors, and music shops, influencing the development of critical standards for evaluating music. It later appeared on several expert lists of the best popular music literature.

Christgau's Record Guide has been reprinted several times in book form and later on Christgau's website in its entirety. Two more "Consumer Guide" collections have been published, compiling his capsule reviews from the 1980s and the 1990s, respectively. (Full article...)

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Patricia Lee Smith (born December 30, 1946) is an American singer, songwriter, poet, painter, author and photographer whose 1975 debut album Horses made her an influential member of the New York City-based punk rock movement. Smith has fused rock and poetry in her work. In 1978, her most widely known song, "Because the Night", co-written with Bruce Springsteen, reached 13th on the Billboard Hot 100 chart and fifth on the UK Singles Chart.

In 2005, Smith was named a Commander of the Ordre des Arts et des Lettres by the French Ministry of Culture. In 2007, she was inducted into the Rock and Roll Hall of Fame. In November 2010, Smith won the National Book Award for her memoir Just Kids, written to fulfill a promise she made to Robert Mapplethorpe, her longtime partner. She is ranked 47th on Rolling Stone magazine's 100 Greatest Artists of All Time, published in 2010, and was awarded the Polar Music Prize in 2011. (Full article...)

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Sweetheart of the Rodeo is the sixth album by the American rock band the Byrds and was released in August 1968 on Columbia Records. Recorded with the addition of country rock pioneer Gram Parsons, it became the first album widely recognized as country rock as well as a seminal progressive country album, and represented a stylistic move away from the psychedelic rock of the band's previous LP, The Notorious Byrd Brothers. The Byrds had occasionally experimented with country music on their four previous albums, but Sweetheart of the Rodeo represented their fullest immersion into the genre up to that point in time. The album was responsible for bringing Parsons, who had joined the Byrds in February 1968 prior to the start of recording, to the attention of a mainstream rock audience for the first time. Thus, the album is an important chapter in Parsons' crusade to make country music fashionable for a young audience.

The album was conceived as a history of 20th century American popular music, encompassing examples of country music, jazz and rhythm and blues, among other genres. However, steered by the passion of the little-known Parsons, this concept was abandoned early on and the album instead became purely a country record. The recording of the album was divided between sessions in Nashville and Los Angeles, with contributions from session musicians including Lloyd Green, John Hartford, JayDee Maness, and Clarence White. Tension developed between Parsons and the rest of the band, guitarist Roger McGuinn especially, and some of Parsons' vocals were re-recorded, partly due to legal issues. By the time the album was released Parsons had left the band. The Byrds' move away from rock and pop towards country music elicited a great deal of resistance and hostility from the ultra-conservative Nashville country music establishment, who viewed the Byrds as a group of hippies attempting to subvert country music.

Upon its release, the album reached number 77 on the Billboard Top LPs chart, but failed to reach the charts in the United Kingdom. Two attendant singles were released during 1968, "You Ain't Goin' Nowhere", which achieved modest success, and "I Am a Pilgrim", which failed to chart. The album received mostly positive reviews in the music press, but the band's shift away from psychedelic music alienated much of its pop audience. Despite being the least commercially successful Byrds' album to date upon release, Sweetheart of the Rodeo is today considered to be a seminal and highly influential country rock album. (Full article...)

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"Hotel California" is a song by American rock band Eagles, released as the second single of their album of the same name on February 22, 1977. Songwriting credits go to Don Felder (music), Don Henley, and Glenn Frey (lyrics). The Eagles' original recording of the song features Henley singing lead vocals and concludes with an iconic 2 minute and 12 seconds long electric guitar solo performed by Felder with a Gibson Les Paul Gibson EDS-1275 double neck and Joe Walsh with a Fender Telecaster, in which they take turns playing the lead before harmonizing and playing arpeggios together towards the fade-out.

The song is one of the best-known recordings by the band, and in 1998 its long guitar coda was voted the best guitar solo of all time by readers of Guitarist. The song was awarded the Grammy Award for Record of the Year in 1978. The meaning of the lyrics of the song has been discussed by fans and critics ever since its release, the Eagles themselves described the song as their "interpretation of the high life in Los Angeles." In the 2013 documentary History of the Eagles, Henley said that the song was about "a journey from innocence to experience ... that's all."

Since its release, "Hotel California" has been widely regarded as one of the greatest rock songs of all time, and has been covered by many artists. Julia Phillips proposed adapting the song into a film, but the members of the Eagles disliked the idea and it never came to fruition. Commercially, "Hotel California" reached the number one position on the Billboard Hot 100 and reached the top ten of several international charts. The Eagles have performed "Hotel California" well over 1,000 times live, and is the third most performed of all their songs, after "Desperado" and "Take It Easy". (Full article...)

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Credit: Sven-Sebastian Sajak

Billie Joe Armstrong, singer and guitarist of Green Day, stands on the Center Stage of Rock im Park Festival 2013.

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Did you know (auto-generated)

... that when rock musician Warren Zevon received a terminal diagnosis of lung cancer, he learned to "enjoy every sandwich"?
... that heavy metal band Judas Priest took their name from Bob Dylan's song "The Ballad of Frankie Lee and Judas Priest"?
... that heavy metal led Ossian D'Ambrosio to druidism?
... that during his tenure as Governor of Central Java, Muhammad Ismail banned rock music concerts and car rallies?
... that the heavy metal band Cradle of Filth released a T-shirt that was so offensive that several people were arrested for wearing it?
... that raw material waste from the West influenced a generation of rock music in China?

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Hard rock or heavy rock is a heavier subgenre of rock music typified by aggressive vocals and distorted electric guitars. Hard rock began in the mid-1960s with the garage, psychedelic and blues rock movements. Some of the earliest hard rock music was produced by the Kinks, the Who, the Rolling Stones, Cream, Vanilla Fudge, and the Jimi Hendrix Experience. In the late 1960s, bands such as Blue Cheer, the Jeff Beck Group, Iron Butterfly, Led Zeppelin, Golden Earring, Steppenwolf, and Deep Purple also produced hard rock.

The genre developed into a major form of popular music in the 1970s, with the Who, Led Zeppelin and Deep Purple being joined by Black Sabbath, Aerosmith, Kiss, Queen, AC/DC, Thin Lizzy and Van Halen. During the 1980s, some hard rock bands moved away from their hard rock roots and more towards pop rock. Established bands made a comeback in the mid-1980s and hard rock reached a commercial peak in the 1980s with glam metal bands such as Mötley Crüe, Bon Jovi and Def Leppard as well as the rawer sounds of Guns N' Roses which followed with great success in the later part of that decade. (Full article...)