Pietro Domenico Paradies
Pietro Domenico Paradies (also Pietro Domenico Paradisi) (1707 – 25 August 1791) was an Italian composer, harpsichordist and music teacher, most prominently known for a composition popularly entitled "Toccata in A", which is, in other sources, the second movement of his Sonata No. 6.
A reviewer of a modern edition of his sonatas, all first edited by the composer, noted in passing "Paradies (never Paradisi, it seems)" suggesting that Paradisi might be a modern adaptation.[1]
Life and work
Paradies was born in Naples. Probably a student of Nicola Porpora, he dedicated himself at first to composing for the theater. He spent a few years around 1740 in Venice, where he taught and wrote music at the Ospedali Grandi. There, he composed two semi-dramatic, occasional serenatas, including a serenata in honor of Frederick Christian, the Prince of Saxony and Heir to Poland.[2] In 1746 he moved to London, where he became known as a teacher of harpsichord and singing; among his students was Gertrud Elisabeth Mara, probably around 1750[3] and possibly Thomas Linley the elder.[4] In 1770 he returned to Italy. He died in Venice.
Instrumental and vocal music
His reputation is due to his music for the harpsichord, esteemed by music historians.
His musical style was influenced by Alessandro and Domenico Scarlatti. Especially celebrated above all were his twelve sonatas for clavicembalo (London, 1754). The Toccata in A that is still played often today is an Allegro movement from his sonata VI in A major, which has established for itself a considerable discography, although there has been a revival of more of his music recently, at least regarding the keyboard sonatas. He was also the author of concertos for organ and for harpsichord, individual pieces for harpsichord, arias and cantatas.
Dramatic music
(Year produced, place, name)
- 1738 Lucca - Alessandro in Persia
- 1740 Venice - Il Decreto del Fato (The Decrees of Fate)[5]
- 1740 Venice - Le Muse in gara[6]
- 1747 London - Fetonte
- 1751 London - La forza d'amore
- Antioco'
References
- ^ Cudworth, Charles (January 1972). "Favourite Sonatas: Sonate di Gravicembalo. Band I, Sonatas 1-6; Band II, Sonatas 7-12. By Paradies, edited by Hugo Ruf; Hans Bemmann". The Musical Times. 113 (1547). London: Orpheus: 77–78. doi:10.2307/957662. ISSN 0027-4666. JSTOR 957662.
- ^ Pietro Domenico Paradies, Le Muse in gara, critical edition of the music, edited by Vanessa Tonelli (Middleton, WI: A.R. Editions, 2021).
- ^ Irielov, Ikvat. "Biography of Gertrud Elisabeth Mara". ODB Opéra. Archived from the original on 2007-09-28. Retrieved 2007-11-20.
- ^ Aspden, Suzanne (2004). "Linley, Thomas (1733–1795)". Oxford Dictionary of National Biography (online ed.). Oxford University Press. doi:10.1093/ref:odnb/16737. Retrieved 28 December 2014. (Subscription or UK public library membership required.)
- ^ Tribuzio, Giovanni (2021). "'Or giunte siamo dove il principe nostro potremo vagheggiar': Tre serenate di D'Alessandro/Vivaldi, Carcani e Paradies/Galuppi per Federico Cristiano di Sassonia (Venezia, Ospedali Grandi, 1740)". In Ciliberti, Galliano (ed.). Music Patronage in Italy (in Italian). Turnhout: Brepols. pp. 191–239. ISBN 9782503595443.
- ^ Tribuzio, Giovanni (2021). "'Or giunte siamo dove il principe nostro potremo vagheggiar': Tre serenate di D'Alessandro/Vivaldi, Carcani e Paradies/Galuppi per Federico Cristiano di Sassonia (Venezia, Ospedali Grandi, 1740)". In Ciliberti, Galliano (ed.). Music Patronage in Italy (in Italian). Turnhout: Brepols. pp. 191–239. ISBN 9782503595443.
External links
- Sanders, Donald C. (Spring 2004). "Sunday music: the sonatas of Domenico Paradies". The Musical Times. 145 (1886). London: Orpheus: 68–74. doi:10.2307/4149095. JSTOR 4149095.
- Short bio at Move record label site
- Free scores by Pietro Domenico Paradies at the International Music Score Library Project (IMSLP)
- The famous Toccata in A, played in different temperaments: meantone, Kirnberger III, just intonation and 31 equal temperament.
- Wikipedia articles incorporating a citation from the ODNB
- CS1 Italian-language sources (it)
- Articles with short description
- Short description is different from Wikidata
- Composers with IMSLP links
- Articles with International Music Score Library Project links
- Articles with ISNI identifiers
- Articles with VIAF identifiers
- Articles with BIBSYS identifiers
- Articles with BNE identifiers
- Articles with BNF identifiers
- Articles with BNFdata identifiers
- Articles with BNMM identifiers
- Articles with GND identifiers
- Articles with ICCU identifiers
- Articles with J9U identifiers
- Articles with KANTO identifiers
- Articles with KBR identifiers
- Articles with LCCN identifiers
- Articles with LNB identifiers
- Articles with NKC identifiers
- Articles with NLA identifiers
- Articles with NTA identifiers
- Articles with PLWABN identifiers
- Articles with PortugalA identifiers
- Articles with CINII identifiers
- Articles with MusicBrainz identifiers
- Articles with DBI identifiers
- Articles with Trove identifiers
- Articles with RISM identifiers
- Articles with SNAC-ID identifiers
- Articles with SUDOC identifiers
- 1707 births
- 1791 deaths
- 18th-century Italian composers
- 18th-century Italian male musicians
- Italian Baroque composers
- Italian Classical-period composers
- Italian harpsichordists
- Italian opera composers
- Italian male opera composers
- 18th-century keyboardists