File:James McNeill Whistler - Grey and Silver- Old Battersea Reach - Google Art Project.jpg
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Summary
James McNeill Whistler: Grey and Silver: Old Battersea Reach | ||||||||||||||||||||||||
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Artist |
artist QS:P170,Q203643 Details on Google Art Project |
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Title |
Grey and Silver: Old Battersea Reach title QS:P1476,en:"Grey and Silver: Old Battersea Reach"
label QS:Len,"Grey and Silver: Old Battersea Reach" |
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Object type |
painting object_type QS:P31,Q3305213 |
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Date |
1863 date QS:P571,+1863-00-00T00:00:00Z/9 |
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Medium |
oil on canvas medium QS:P186,Q296955;P186,Q12321255,P518,Q861259 oil on canvasmedium QS:P186,Q296955;P186,Q12321255,P518,Q861259 |
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Dimensions |
height: 508 mm (20 in); width: 686 mm (27 in) dimensions QS:P2048,508U174789 dimensions QS:P2049,686U174789 |
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Collection |
institution QS:P195,Q239303 |
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Current location |
Level Second Level (Details of level on Google Art Project) room Gallery 273 (Details of room on Google Art Project) |
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Accession number |
1922.449 |
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Place of creation | United States of America | |||||||||||||||||||||||
Object history |
English: Mrs. Aglaia Coronio, London England, by 1892; Mrs. Potter Palmer, Chicago, 1918; by descent to the Estate of Mrs. Potter Palmer , 1922; by descent to her sons, Potter II and Honoré Palmer, 1918; given by them to the Art Institute, 1922. |
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Exhibition history |
English: London, England, The Royal Academy of the Arts, Exhibition of the Royal Academy of the Arts: The Ninety-Ninth, 1867, cat. no. 243, as Battersea. London, England, Queen’s Square, College for Working Men and Women, 1889. London England, Goupil Gallery, Nocturnes, Marines, and Chevalet Pieces: J. McNeil Whistler, Chelsea, cat. no. 36, lent by Madame Coronio. Boston, Mass., The Copley Society, Memorial Exhibition of the Works of the Late Mr. J. McNeill Whistler: Oil Paintings, Watercolors, Pastels and Drawings, February 1904, cat. no. 70, as The Thames, lent by Mrs. Potter Palmer. Paris, France, Palais de l’Ecole des Beaux-Arts, Exposition des Oeuvres de James McNeill Whistler, May 1905, cat. no. 58, as Sur la Tamise (On the Thames), lent by Mrs. Potter Palmer. Chicago, The University of Chicago Renaissance Society, Wieboldt Hall, Summer Exhibition: Sea and Land and City Streets, June 8-August 30, 1933, cat. no. 7. Art Institute of Chicago, A Century of Progress Exhibition of Painting and Sculpture, June 1-November 1, 1934, cat. no. 423. San Francisco, M.H. DeYoung Memorial Museum, Palace of the Legion of Honor, Exhibition of American Painting: Eighteenth and Nineteenth Century Paintings, June 7-July 7, 1935, cat. no. 242, ill. Richmond, The Virginia Museum of Fine Arts, The Main Currents in the Development of American Painting: Inaugural Exhibition of the Virginia Museum of Fine Arts, January 16-March 1, 1936, cat. no. 50, ill. Art Institute of Chicago, Summer Exhibitions, July 20-October 29, 1939, cat. no. 3. Pittsburgh, Pa. Carnegie Institute, Department of Fine Arts, Survey of American Painting, October 24-December 15, 1940. Art Institute of Chicago, Sargent, Whistler and Mary Cassatt, January 14-February 25, 1954, Frederick Sweet, cat. no. 95; traveled to New York, the Metropolitan Museum of Art, March 25-May 23, 1954. London, England, The Arts Council Gallery, September 1-24, 1960, James McNeill Whistler, An Exhibition of Paintings and Other Works, Andrew McLaren Young, cat. no. 8; traveled to New York, The Knoedler Galleries, November 2-30, 1960. Art Institute of Chicago, James McNeill Whistler, January 13-February 25, 1968, Frederick Sweet, cat. no. 4 as Grey and Silver Battersea Reach; traveled to Utica, New York, Munson-Williams-Proctor Institute, March 17-April 28. Art Institute of Chicago, Whistler: Prints and Paintings, May-August 31, 1979. Albi, France, Musee Toulouse-Lautrec, Trésors Impression nistes du Musée, Jean Devoisins, June 27-August 31, 1980, cat. no. 57, p. 65, ill. as Gris et argent: Old Battersea Reach. London, England, Barbican Art Gallery, The Image of London: Views by Travellers and Emigrés, 1550-1920, Malcolm Warner, cat. no. 158, p. 153, ill. "Songs on Stone: James McNeill Whistler and the Art of Lithography" THe Art Institute of Chicago 6/6/98-8/30/98; National Gallery of Canada, Ottawa 10/2/98-1/3/99 Art Gallery of Ontario, Toronto, Canada, "Turner, Whistler, Monet," Art Gallery of Ontario, Toronto, Canada; 12 June 2004 – 5 September 2004; Grand Palais, Paris from 16 October 2004 – 16 January; and Tate Britain, London 12 February 2005 – 15 May 2005. |
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Inscriptions |
English: Signed, lower left: "Whistler 63" |
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Notes | More info at museum site | |||||||||||||||||||||||
References | ||||||||||||||||||||||||
Source/Photographer | ywG-4JiWRXANTA at Google Cultural Institute maximum zoom level |
Licensing
This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details. |
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File history
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 21:31, 4 October 2012 | 5,670 × 4,176 (3.96 MB) | commons>DcoetzeeBot | =={{int:filedesc}}== {{Google Art Project |commons_artist={{Creator:James McNeill Whistler}} |commons_title= |commons_description= |commons_date= |commons_medium= |commons_dimensions= |commons_institution= |commons_location= |commons_references= |commo... |
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