File:Diana and Chase in the Arctic.jpg

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Summary

James H. Wheldon: Diana and Chase in the Arctic  wikidata:Q111963094 reasonator:Q111963094
Artist
James H. Wheldon    wikidata:Q20278688
 
Alternative names
James Wheldon; Of Hull Wheldon; James, of Hull Wheldon
Description British-Irish marine painter
Date of birth/death 1830 / 1832 Edit this at Wikidata 14 December 1895 / 1893 Edit this at Wikidata
Location of birth/death London
Authority file
artist QS:P170,Q20278688
image of artwork listed in title parameter on this page
Title
Diana and Chase in the Arctic
label QS:Len,"Diana and Chase in the Arctic"
Object type painting
object_type QS:P31,Q3305213
Description

Diana and Chase in the Arctic, oil on canvas, 65.5 in x 90.5 in. Original in Hull Maritime Museum. The ships are whalers. From the History of Art Research Portal:

"Wheldon depicts a variety of Arctic fauna for the taking, including the now familiar narwhals, valued for their unicorn-like horns, swimming into the canvas bottom right; walruses, valued for their blubber, bobbing the water, centre right, and about to be shot top right; and seals being clubbed on the right. In addition, a number of whales are being hunted in the waters surrounding the ships. Two polar bears on a repouissoir ice floe, meanwhile, adopt the positions of many spectators within eighteenth-century landscape paintings, to which the canvas is also indebted. Wheldon's violent canvas registers the shift, in the Arctic in this period, from whaling to sealing and walrus hunting, as the principle source of blubber. As a result, it may represent the first of two annual voyages north by Hull whalers, the first and earlier voyage predominantly in search of seals. Whilst full of violence, the picture gives little sense of the scale of the carnage, with individual whale ships often killing up to two thousand seals a day, and with reports of seals clubbed so carelessly and skinned so quickly that they remained alive on the ice, without their skins until they froze to death. Wheldon’s foreground narwhals and walruses are also newly sentimentalised, perhaps responding to the increasingly fashionable work of royal favourite, Edwin Landseer, although Wheldon's polar bears are about as far as possible from the protagonists in Landseer’s later, bleak Man Proposes, God Disposes (1864).

"1857, the year in which the canvas was probably painted, represented a key year when it came to the question of animal fats destined to become lubricants. Rebellion across the Indian subcontinent that year were partly prompted by rumours that the native sepoys would be forced to lubricate their guns with cow and pig fat; cows being sacred to the Hindu soldiers, and pigs deemed unclean by Muslim sepoys."
Date circa 1857
date QS:P571,+1857-00-00T00:00:00Z/9,P1480,Q5727902
Medium oil on canvas
medium QS:P186,Q296955;P186,Q12321255,P518,Q861259
Dimensions height: 65.5 in (166.3 cm); width: 90.5 in (229.8 cm)
dimensions QS:P2048,65.5U218593
dimensions QS:P2049,90.5U218593
Source/Photographer History of Art Research Portal

Licensing

This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
Public domain

This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer.


This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929.

The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details.

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