Portal:Visual arts

From WikiProjectMed
Jump to navigation Jump to search
THE VISUAL ARTS PORTAL

Introduction

Vincent van Gogh painting The Church at Auvers from 1890 gray church against blue sky
The Church at Auvers, an oil painting by Vincent van Gogh (1890)

The visual arts are art forms such as painting, drawing, printmaking, sculpture, ceramics, photography, video, filmmaking, comics, design, crafts, and architecture. Many artistic disciplines, such as performing arts, conceptual art, and textile arts, also involve aspects of the visual arts as well as arts of other types. Also included within the visual arts are the applied arts, such as industrial design, graphic design, fashion design, interior design, and decorative art.

Current usage of the term "visual arts" includes fine art as well as applied or decorative arts and crafts, but this was not always the case. Before the Arts and Crafts Movement in Britain and elsewhere at the turn of the 20th century, the term 'artist' had for some centuries often been restricted to a person working in the fine arts (such as painting, sculpture, or printmaking) and not the decorative arts, crafts, or applied visual arts media. The distinction was emphasized by artists of the Arts and Crafts Movement, who valued vernacular art forms as much as high forms. Art schools made a distinction between the fine arts and the crafts, maintaining that a craftsperson could not be considered a practitioner of the arts. The increasing tendency to privilege painting, and to a lesser degree sculpture, above other arts has been a feature of Western art as well as East Asian art. In both regions, painting has been seen as relying to the highest degree on the imagination of the artist and being the furthest removed from manual labour – in Chinese painting, the most highly valued styles were those of "scholar-painting", at least in theory practiced by gentleman amateurs. The Western hierarchy of genres reflected similar attitudes. (Full article...)

Selected article

Two young women in elaborate clothing
Preparing for a Fancy Dress Ball (1835)

Preparing for a Fancy Dress Ball, also known as The Misses Williams-Wynn, is a 173 by 150 cm (68 by 59 in) oil on canvas by English artist William Etty, first exhibited in 1835 and currently in the York Art Gallery. Although Etty was then known almost exclusively for history paintings featuring nude figures, he was commissioned in 1833 by Welsh Conservative politician Charles Watkin Williams-Wynn to paint a portrait of two of his daughters. Preparing for a Fancy Dress Ball shows Williams-Wynn's daughters, Charlotte and Mary, in lavish Italian-style costume: Charlotte, the eldest, is shown standing, helping the seated Mary decorate her hair with a ribbon and a rose. Etty put a good deal of effort into the piece and took much longer than usual to finish it.

The painting was completed for and exhibited at the 1835 Royal Academy Summer Exhibition. It was generally well received, even by critics usually hostile to Etty and his work. Preparing for a Fancy Dress Ball demonstrated that Etty was both capable of high-quality work and deserving of patronage by the English elite, and the success led to further commissions. The painting remained in the collection of Mary Williams-Wynn's descendants, and other than an 1849 retrospective exhibition, was not shown publicly for 160 years. A private collector purchased the piece from the Williams-Wynn family in 1982, where it remained until its 2009 acquisition by the York Art Gallery. It now forms part of a major collection of Etty's work there. (Full article...)
List of selected articles

Selected picture

Ferrari F40
Ferrari F40
Ferrari F40
Credit: Photo: Will ainsworth (edited by Bob Castle)
Ferrari F40, designed by Pietro Camardella under the supervision of Aldo Brovarone at Pininfarina.

Selected quote


When I've painted a woman's behind so that I want to touch it, then it's finished!
Pierre-Auguste Renoir, Vollard, Ambroise (1925). Renoir: an initimate record. Translated by Van Dooren, Harold L.; Weaver, Randolph T. New York: Alfred A. Knopf. p. 57. OCLC 631984646.


Related portals

Selected biography

Portrait by Isaac Rehn, 1855

James Barton Longacre (August 11, 1794 – January 1, 1869) was an American portraitist and engraver, and the fourth chief engraver of the United States Mint from 1844 until his death. Longacre is best known for designing the Indian Head cent, which entered commerce in 1859, and for the designs of the Shield nickel, Flying Eagle cent and other coins of the mid-19th century.

Longacre was born in Delaware County, Pennsylvania, in 1794. He ran away to Philadelphia at age 12, where he became an apprentice in a bookstore. His artistic talent developed and he was released to apprentice in an engraving firm. He struck out on his own in 1819, making a name providing illustrations for popular biographical books. He portrayed the leading men of his day; support from some of them, such as South Carolina Senator John C. Calhoun, led to his appointment as chief engraver after the death of Christian Gobrecht in 1844. (Full article...)
List of selected biographies

General images

The following are images from various visual arts-related articles on Wikipedia.

Major topics

Subcategories

Category puzzle
Category puzzle
Select [►] to view subcategories


WikiProjects

Things you can do

NaodW29-nowiki286369b71e7b327900000001

Here are some Open Tasks :

Associated Wikimedia

The following Wikimedia Foundation sister projects provide more on this subject:

References

More portals