Portal:Speculative fiction
Speculative fiction is an umbrella phrase encompassing the more fantastical fiction genres, specifically science fiction, fantasy, horror, supernatural fiction, superhero fiction, utopian and dystopian fiction, apocalyptic and post-apocalyptic fiction, and alternate history in literature as well as related static, motion, and virtual arts. It has been around since humans began to speak. The earliest forms of speculative fiction were likely mythological tales told around the campfire. Speculative fiction deals with the "What if?" scenarios imagined by dreamers and thinkers worldwide. Journeys to other worlds through the vast reaches of distant space; magical quests to free worlds enslaved by terrible beings; malevolent supernatural powers seeking to increase their spheres of influence across multiple dimensions and times; all of these fall into the realm of speculative fiction. Speculative fiction as a category ranges from ancient works to cutting edge, paradigm-changing, and neotraditional works of the 21st century. It can be recognized in works whose authors' intentions or the social contexts of the versions of stories they portrayed is now known. For example, Ancient Greek dramatists such as Euripides, whose play Medea (play) seemed to have offended Athenian audiences when he fictionally speculated that shamaness Medea killed her own children instead of their being killed by other Corinthians after her departure. The play Hippolytus, narratively introduced by Aphrodite, is suspected to have displeased contemporary audiences of the day because it portrayed Phaedra as too lusty. In historiography, what is now called speculative fiction has previously been termed "historical invention", "historical fiction," and other similar names. It is extensively noted in the literary criticism of the works of William Shakespeare when he co-locates Athenian Duke Theseus and Amazonian Queen Hippolyta, English fairy Puck, and Roman god Cupid all together in the fairyland of its Merovingian Germanic sovereign Oberon in A Midsummer Night's Dream. In mythography it has been termed "mythopoesis" or mythopoeia, "fictional speculation", the creative design and generation of lore, regarding such works as J. R. R. Tolkien's The Lord of the Rings. Such supernatural, alternate history, and sexuality themes continue in works produced within the modern speculative fiction genre. Jump to a specific section belowSelected profileStan Lee (born Stanley Martin Lieber /ˈliːbər/; December 28, 1922 – November 12, 2018) was an American comic book writer, editor, publisher and producer. He rose through the ranks of a family-run business called Timely Comics which would later become Marvel Comics. He was Marvel's primary creative leader for two decades, leading its expansion from a small division of a publishing house to a multimedia corporation that dominated the comics and film industries. In collaboration with others at Marvel—particularly co-writers and artists Jack Kirby and Steve Ditko—he co-created iconic characters, including Spider-Man, the X-Men, Iron Man, Thor, the Hulk, Ant-Man, the Wasp, the Fantastic Four, Black Panther, Daredevil, Doctor Strange, the Scarlet Witch, and Black Widow. These and other characters' introductions in the 1960s pioneered a more naturalistic approach in superhero comics, and, in the 1970s, Lee challenged the restrictions of the Comics Code Authority, indirectly leading to changes in its policies. In the 1980s, he pursued the development of Marvel properties in other media, with mixed results. (Full article...)Selected workHarry Potter and the Philosopher's Stone (also known as Harry Potter and the Sorcerer's Stone in the United States) is a 2001 fantasy film directed by Chris Columbus and produced by David Heyman, from a screenplay by Steve Kloves, based on the 1997 novel of the same name by J. K. Rowling. It is the first instalment in the Harry Potter film series. The film stars Daniel Radcliffe as Harry Potter, with Rupert Grint as Ron Weasley, and Emma Watson as Hermione Granger. Its story follows Harry's first year at Hogwarts School of Witchcraft and Wizardry as he discovers that he is a famous wizard and begins his formal wizarding education.
Warner Bros. Pictures bought the film rights to the book in 1999 for a reported £1 million ($1.65 million). Production began in the United Kingdom in 2000, with Columbus being chosen to helm the film from a short list of directors that included Steven Spielberg and Rob Reiner. Rowling insisted that the entire cast be British and Irish, with the three leads chosen in August 2000 following open casting calls. Filming took place at Leavesden Film Studios and historic buildings around the United Kingdom from September 2000 to March 2001. (Full article...) Selected quote
—T. O'Conor Sloane (1851–1940), "Discussions" Amazing Stories (January 1927). This quote is notable for being the first "modern use" of the term science fiction.[1]
Selected picture An illustration from the first edition of The Wonderful Wizard of Oz, depicting the scene where Dorothy meets the Cowardly Lion, the first time the four major characters of the novel come together. The book was originally published in 1900 and has since been reprinted countless times, most often under the name The Wizard of Oz, which is the name of both the 1902 Broadway musical and the extremely popular, highly acclaimed 1939 film version. Thanks in part to the film it is one of the best-known stories in American popular culture and has been widely translated. Its initial success, and the success of the popular 1902 musical Baum adapted from his story, led to his writing and having published thirteen more Oz books. (POTD) Did you know...
Upcoming conventionsJune:
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Dates can usually be found on the article page. See also these convention lists: anime, comic book, furry, gaming, multigenre, and science fiction. Selected article Weird Tales is an American fantasy and horror fiction pulp magazine founded by J. C. Henneberger and J. M. Lansinger in late 1922. The first issue, dated March 1923, appeared on newsstands February 18. The first editor, Edwin Baird, printed early work by H. P. Lovecraft, Seabury Quinn, and Clark Ashton Smith, all of whom went on to be popular writers, but within a year, the magazine was in financial trouble. Henneberger sold his interest in the publisher, Rural Publishing Corporation, to Lansinger, and refinanced Weird Tales, with Farnsworth Wright as the new editor. The first issue to list Wright as editor was dated November 1924. The magazine was more successful under Wright, and despite occasional financial setbacks, it prospered over the next 15 years. Under Wright's control, the magazine lived up to its subtitle, "The Unique Magazine", and published a wide range of unusual fiction. Lovecraft's Cthulhu mythos stories first appeared in Weird Tales, starting with "The Call of Cthulhu" in 1928. These were well-received, and a group of writers associated with Lovecraft wrote other stories set in the same milieu. Robert E. Howard was a regular contributor, and published several of his Conan the Barbarian stories in the magazine, and Seabury Quinn's series of stories about Jules de Grandin, a detective who specialized in cases involving the supernatural, was very popular with the readers. Other well-liked authors included Nictzin Dyalhis, E. Hoffmann Price, Robert Bloch, and H. Warner Munn. Wright published some science fiction, along with the fantasy and horror, partly because when Weird Tales was launched, no magazines were specializing in science fiction, but he continued this policy even after the launch of magazines such as Amazing Stories in 1926. Edmond Hamilton wrote a good deal of science fiction for Weird Tales, though after a few years, he used the magazine for his more fantastic stories, and submitted his space operas elsewhere. (Full article...)On this day...Television series
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Science fiction The following Wikimedia Foundation sister projects provide more on this subject:
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