Portal:Poetry

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Welcome to the Poetry Portal

The first lines of the Iliad
The first lines of the Iliad
Great Seal Script character for poetry, ancient China
Great Seal Script character for poetry, ancient China

Poetry (a term derived from the Greek word poiesis, "making"), also called verse, is a form of literary art that uses aesthetic and often rhythmic qualities of language to evoke meanings in addition to, or in place of, literal or surface-level meaning. Such a literary composition is a poem and is written by a poet. Poetic devices such as assonance, alliteration, euphony and cacophony, onomatopoeia, rhythm (via metre), and sound symbolism commonly convey musical or incantatory effects.

Poetry has a long and varied history, evolving differentially across the globe. It dates back at least to prehistoric times with hunting poetry in Africa and to panegyric and elegiac court poetry of the empires of the Nile, Niger, and Volta River valleys. Some of the earliest written poetry in Africa occurs among the Pyramid Texts written during the 25th century BCE. The earliest surviving Western Asian epic poem, the Epic of Gilgamesh, was written in the Sumerian language.

Early poems in the Eurasian continent evolved from folk songs such as the Chinese Shijing as well as from religious hymns (the Sanskrit Rigveda, the Zoroastrian Gathas, the Hurrian songs, and the Hebrew Psalms); or from a need to retell oral epics, as with the Egyptian Story of Sinuhe, Indian epic poetry, and the Homeric epics, the Iliad and the Odyssey. (Full article...)

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Samuel Taylor Coleridge
Samuel Taylor Coleridge

The conversation poems are a group of eight poems composed by Samuel Taylor Coleridge (1772–1834) between 1795 and 1807. Each details a particular life experience which lead to the poet's examination of nature and the role of poetry. They describe virtuous conduct and man's obligation to God, nature and society, and ask as if there is a place for simple appreciation of nature without having to actively dedicate one's life to altruism.

The Conversation poems were grouped in the 20th-century by literary critics who found similarity in focus, style and content. The series title was devised to describe verse where Coleridge incorporates conversational language while examining higher ideas of nature and morality. The works are held together by common themes, in particular they share meditations on nature and man's place in the universe. In each, Coleridge explores his idea of "One Life", a belief that people are spiritually connected through a universal relationship with God that joins all natural beings.

Critics have disagreed on which poem in the group is strongest. Frost at Midnight is usually held in high esteem, while Fears in Solitude is generally less well regarded.. (Full article...)

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Poetry WikiProject

Charles Baudelaire
Charles Baudelaire
The poetry WikiProject works to improve the quality and scope of all poetry-related articles. Please join us!

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Rabindranath Tagore (Bengali pronunciation: [rəˈbindrəˈnɑt ˈtɑɡɔr] ), also written Rabīndranātha Thākura (pronounced [rəˈbindrəˈnɑtə ˈtɑkʊrə]), (7 May 1861 – 7 August 1941), sobriquet Gurudev, was a Bengali polymath who reshaped Bengali literature and music in the late 19th and early 20th centuries. Author of Gitanjali and its "profoundly sensitive, fresh and beautiful verse", he became the first non-European to win the Nobel Prize in Literature in 1913. In translation his poetry was viewed as spiritual and mercurial; however, his "elegant prose and magical poetry" remain largely unknown outside Bengal. Tagore introduced new prose and verse forms and the use of colloquial language into Bengali literature, thereby freeing it from traditional models based on classical Sanskrit. He was highly influential in introducing the best of Indian culture to the West and vice versa, and he is generally regarded as the outstanding creative artist of the modern Indian subcontinent, being highly commemorated in India and Bangladesh, as well as in Sri Lanka, Nepal and Pakistan. (Full article...)

Selected poem

Earth! my Likeness! by Walt Whitman

EARTH! my likeness!
Though you look so impassive, ample and spheric there,
I now suspect that is not all;
I now suspect there is something fierce in you, eligible to burst forth;
For an athlete is enamour’d of me—and I of him;
But toward him there is something fierce and terrible in me, eligible to burst forth,
I dare not tell it in words—not even in these songs.

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