Portal:Opera

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The Opera Portal

Opera is an art form in which singers and musicians perform a dramatic work (called an opera) which combines a text (called a libretto) and a musical score. Opera is part of the Western classical music tradition. Opera incorporates many of the elements of spoken theatre, such as acting, scenery and costumes and sometimes includes dance. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble.

Opera started in Italy at the end of the 16th century (with Jacopo Peri's lost Dafne, produced in Florence around 1597), and was championed by Claudio Monteverdi with works such as L'Orfeo. It soon spread through the rest of Europe: Schütz in Germany, Lully in France, and Purcell in England all helped to establish their national traditions in the 17th century. However, in the 18th century, Italian opera continued to dominate most of Europe, except France, attracting foreign composers such as Handel. Opera seria was the most prestigious form of Italian opera, until Gluck reacted against its artificiality with his "reform" operas in the 1760s. Today the most renowned figure of late 18th century opera is Mozart, who began with opera seria but is most famous for his Italian comic operas, especially The Marriage of Figaro, Don Giovanni, and Così fan tutte, as well as The Magic Flute, a landmark in the German tradition.

The first third of the 19th century saw the highpoint of the bel canto style, with Rossini, Donizetti and Bellini all creating works that are still performed today. It also saw the advent of Grand Opera typified by the works of Meyerbeer. The mid to late 19th century is considered by some a golden age of opera, led by Wagner in Germany and Verdi in Italy. This 'golden age' developed through the verismo era in Italy and contemporary French opera through to Puccini and Strauss in the early 20th century. During the 19th century, parallel operatic traditions emerged in Central and Eastern Europe, particularly in Russia and Bohemia. The 20th century saw many experiments with modern styles, such as atonality and serialism (Schoenberg and Berg), Neo-Classicism (Stravinsky), and Minimalism (Philip Glass and John Adams). With the rise of recording technology, singers such as Enrico Caruso became known to audiences beyond the circle of opera fans. Operas were also performed on (and written for) radio and television.

More about Opera...

Selected article

Agrippina
Agrippina (HMV 6) is an opera seria in three acts by George Frideric Handel, set to a libretto by Cardinal Vincenzo Grimani. The opera tells the story of Agrippina, the mother of Nero, as she plots the downfall of the Roman Emperor Claudius and the installation of her son as emperor. Agrippina premiered in Venice some time in December 1709 or January 1710; the date is usually given as the 26 December 1709. The cast consisted of some of the leading singers of the time in Northern Italy, such as Antonio Carli in the lead bass role. Stars Margherita Durastanti, who had recently sung the role of Mary Magdalene in Handel's La Resurrezione; and Diamante Scarabelli, whose great success at Bologna in the 1697 pasticcio Perseo inspired the publication of a volume of eulogistic verse entitled La miniera del Diamante, also performed. Written when Handel was just 24, Agrippina was one of his first operas, and demonstrated his assimilation of the Italian style of opera, after his time spent in Rome composing Italianate cantatas and absorbing the influence of Alessandro Scarlatti, whom he had met in the city.

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Poster for the première of Pénélope
Poster for the première of Pénélope
Poster for the première of Pénélope
Credit: Georges Rochegrosse, restored by Adam Cuerden
Pénélope is an opera in three acts by Gabriel Fauré and René Fauchois based on the end of Homer's Odyssey. The premiere at Monte Carlo was not a great success, partly because the director of the theatre, Raoul Gunsbourg, was more concerned with promoting his own opera, Vénise. Fauré regarded the Monte Carlo production as "a rehearsal for Paris" where it was rapturously received at the Théâtre des Champs-Elysées two months later on 10 May 1913. However, less than three weeks after the premiere of the opera the Théâtre des Champs-Elysées was the venue for the first performance of The Rite of Spring. The scandal at and after the ballet's premiere preoccupied the French press, and Fauré's opera left the discourse, followed by financial collapse and near bankruptcy of the theatre six months after the première, forcing the sets and costumes to be sold.

In this month

John McCormack photographed in 1910

Selected biography

Strubenholm, the home of the SA College of Music
Professor Erik William Chisholm (4 January 1904 – 8 June 1965) was a Scottish composer and conductor often known as "Scotland’s forgotten composer". According to his biographer, Chisholm "was the first composer to absorb Celtic idioms into his music in form as well as content, his achievement paralleling that of Bartók in its depth of understanding and its daring", which led to his nickname of "MacBartók". He was also a founder of the Celtic Ballet and, together with Margaret Morris, created the first full-length Scottish ballet, The Forsaken Mermaid. He was also the dean and director of the South African College of Music at the University of Cape Town for 19 years. Chisholm founded the South African College of Music opera company in Cape Town and was a vital force in bringing new operas to Scotland, England and South Africa. By the time of his death in 1965, he had composed over a hundred works.

Selected quote

Richard Wagner
Oh, I hate the thought of all those costumes and grease paint! When I think that characters like Kundry will now have to be dressed up, those dreadful artists' balls immediately spring into my mind. Having created the invisible orchestra, I now feel like inventing the invisible theatre!

Selected audio

From Giacomo Puccini's La bohème, sung by Enrico Caruso and Nellie Melba.

Did you know?

Teresa Saporiti

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Main topics

Opera history: Origins of opera • Italian opera • Opera in German • French opera • Opera in English • Polish opera • Russian opera • Hungarian opera • Armenian opera • Opera in Latin America

Opera topics

Opera genres: Azione teatrale · Ballad opera · Comédie en vaudevilles · Comédie mêlée d'ariettes · Dramma giocoso · Dramma per musica · Farsa · Festa teatrale · Género chico · Grand Opera · Music Drama · Opéra-ballet · Opera buffa · Opéra bouffe · Opéra bouffon · Opéra comique · Opéra féerie · Opera semiseria · Opera seria · Operetta · Pastorale héroïque · Romantische Oper · Savoy opera · Semi-opera · Singspiel · Spieloper · Tragédie en musique · Verismo · Zarzuela · Zeitoper

Opera terms: Aria · Aria di sorbetto · Arioso · Bel canto · Breeches role · Burletta · Cabaletta · Cadenza · Cantabile · Castrato · Cavatina · Chest voice · Claque · Coloratura · Comprimario · Convenienze · Coup de glotte · Da capo aria · Diva · Entr'acte · Fach · Falsetto · Fioritura · Gesamtkunstwerk · Head voice · Intermezzo · Kammersänger · Leitmotif · Legato · Libretto · Literaturoper · Mad scene · Maestro · Melodrama · Melodramma · Monodrama · Messa di voce · Opera house · Passaggio · Portamento · Prima donna · Prompter · Recitative · Regietheater · Répétiteur · Sitzprobe · Spinto · Sprechgesang · Squillo · Stagione · Surtitles · Tessitura · Timbre · Vibrato

Opera voices: Baritenor · Baritone · Bass · Bass-baritone · Coloratura soprano · Contralto · Countertenor · Dramatic soprano · Haute-contre · Lyric soprano · Mezzo-soprano · Soprano · Soubrette · Spinto soprano · Tenor · Tenore contraltino · Tenore di grazia

Opera lists: Opera topics • List of operas by composer • Important operas • Major opera composers • Opera librettists • Opera houses • Opera companies • Opera festivals • Opera directors • Operetta composers • Orphean operas • Zarzuela composers • Opera genres • Operas set in the Crusades • The Record of Singing • Bayreuth canon

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