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View from south east
St Nicholas is the Anglicanparish church of Blakeney, Norfolk, in the deanery of Holt and the Diocese of Norwich. The church was founded in the 13th century, but the greater part of the church dates from the 15th century when Blakeney was a seaport of some importance. Of the original structure only the chancel has survived rebuilding, perhaps owing to its link to a nearby Carmelite friary. An unusual architectural feature is a second tower, used as a beacon, at the east end (the church stands just inland from, and about 30 metres (98 ft) above, the small port). Other significant features are the vaulted chancel with a stepped seven-light lancet window, and the hammerbeam roof of the nave. St Nicholas is a nationally important building, with a Grade I listing for its exceptional architectural interest.
Much of the original church furniture was lost in the Reformation, but a late-Victorian restoration recreated something of the original appearance, as well as repairing and refacing the building.
The Victorian woodwork was created to match the few older pieces that remained, or to follow a similar style; thus, the new wooden pulpit follows the themes of the medievalfont. Of the stained glass smashed in the Reformation only fragments have been recovered, and these have been incorporated in a window in the north aisle of the church. Nine Arts and Crafts windows by James Powell and Sons are featured on the east and south sides of the church, and the north porch has two modern windows of predominantly blue colour. St Nicholas contains some notable memorials, including several plaques for the Blakeney lifeboats and their crews, and much pre-Reformation graffiti, particularly depictions of ships. The location of the latter suggests that they were votive in nature, although the saint concerned is now unknown. (Full article...)
Image 12A depiction of the Council of Nicaea in AD 325, at which the Deity of Christ was declared orthodox and Arianism condemned (from Trinity)
Image 13The Adoration of the Trinity by Albrecht Dürer (1511) From top to bottom: Holy Spirit (dove), God the Father and Christ on the cross (from Trinity)
Image 16A compact diagram of the Trinity, known as the "Shield of Trinity". The Shield is generally not intended to be a schematic diagram of the structure of God, but it presents a series of statements about the correlation between the persons of the Trinity. (from Trinity)
Image 20God the Father (top), the Holy Spirit (a dove), and the child Jesus, painting by Bartolomé Esteban Murillo (d. 1682) (from Trinity)
Image 21Atypical depiction The Son is identified by a lamb, the Father an Eye of Providence, and the Spirit a dove; the painting is by Fridolin Leiber (d. 1912). (from Trinity)
Image 27First page of Mark, by Sargis Pitsak (14th century): "The beginning of the gospel of Jesus Christ, the Son of God". (from Jesus in Christianity)
Image 28God the Father (top), and the Holy Spirit (represented by a dove) depicted above Jesus Painting by Francesco Albani (d. 1660) (from Trinity)
Image 29Renaissance painting by Jerónimo Cosida depicting Jesus as a triple deity Inner text: The Father is God; the Son is God; the Holy Spirit is God (from Trinity)
Jocelin was one of the bishops that crowned John's son Henry III, and throughout the rest of Jocelin's life was involved in royal administration. He was also active in his diocese, ordering construction on the cathedral at Wells, and issuing rules for his diocesan clergy. During his time as bishop, he settled a dispute between his diocese and Glastonbury Abbey that had started during the bishopric of his predecessor. The memorial brass on his tomb in Wells Cathedral is probably one of the earliest in England. (Full article...)
The Life of Christ as a narrative cycle in Christian art comprises a number of different subjects, which were often grouped in series or cycles of works in a variety of media, narrating the life of Jesus on earth, as distinguished from the many other subjects in art showing the eternal life of Christ, such as Christ in Majesty, and also many types of portrait or devotional subjects without a narrative element.
... that although the Jesuit missionary He Tianzhang despised his "sad Chinese appearance", it allowed him to circumvent the Qing's ban on Christianity and enter China?
... that 19th-century American evangelist Dwight L. Moody was converted to Christianity in the stock room of a shoe store by his Sunday School teacher Edward Kimball?
Now all the tax collectors and sinners were coming close to him to hear him. The Pharisees and the scribes murmured, saying, “This man welcomes sinners, and eats with them.” He told them this parable. “Which of you men, if you had one hundred sheep, and lost one of them, wouldn’t leave the ninety-nine in the wilderness, and go after the one that was lost, until he found it? When he has found it, he carries it on his shoulders, rejoicing. When he comes home, he calls together his friends and his neighbors, saying to them, ‘Rejoice with me, for I have found my sheep which was lost!’ I tell you that even so there will be more joy in heaven over one sinner who repents, than over ninety-nine righteous people who need no repentance. Or what woman, if she had ten drachma coins, if she lost one drachma coin, wouldn’t light a lamp, sweep the house, and seek diligently until she found it? When she has found it, she calls together her friends and neighbors, saying, ‘Rejoice with me, for I have found the drachma which I had lost.’ Even so, I tell you, there is joy in the presence of the angels of God over one sinner repenting.” He said, “A certain man had two sons. The younger of them said to his father, ‘Father, give me my share of your property.’ He divided his livelihood between them. Not many days after, the younger son gathered all of this together and traveled into a far country. There he wasted his property with riotous living. When he had spent all of it, there arose a severe famine in that country, and he began to be in need. He went and joined himself to one of the citizens of that country, and he sent him into his fields to feed pigs. He wanted to fill his belly with the husks that the pigs ate, but no one gave him any. But when he came to himself he said, ‘How many hired servants of my father’s have bread enough to spare, and I’m dying with hunger! I will get up and go to my father, and will tell him, “Father, I have sinned against heaven, and in your sight. I am no more worthy to be called your son. Make me as one of your hired servants.”’ “He arose, and came to his father. But while he was still far off, his father saw him, and was moved with compassion, and ran, and fell on his neck, and kissed him. The son said to him, ‘Father, I have sinned against heaven, and in your sight. I am no longer worthy to be called your son.’ “But the father said to his servants, ‘Bring out the best robe, and put it on him. Put a ring on his hand, and shoes on his feet. Bring the fattened calf, kill it, and let us eat, and celebrate; for this, my son, was dead, and is alive again. He was lost, and is found.’ They began to celebrate. “Now his elder son was in the field. As he came near to the house, he heard music and dancing. He called one of the servants to him, and asked what was going on. He said to him, ‘Your brother has come, and your father has killed the fattened calf, because he has received him back safe and healthy.’ But he was angry, and would not go in. Therefore his father came out, and begged him. But he answered his father, ‘Behold, these many years I have served you, and I never disobeyed a commandment of yours, but you never gave me a goat, that I might celebrate with my friends. But when this, your son, came, who has devoured your living with prostitutes, you killed the fattened calf for him.’ “He said to him, ‘Son, you are always with me, and all that is mine is yours. But it was appropriate to celebrate and be glad, for this, your brother, was dead, and is alive again. He was lost, and is found.’”
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