The 1920s (pronounced "nineteen-twenties" often shortened to the "'20s" or the "Twenties") was a decade that began on January 1, 1920, and ended on December 31, 1929. In America, it is frequently referred to as the "Roaring Twenties" or the "Jazz Age", while in Europe the period is sometimes referred to as the "Golden Twenties" because of the economic boom following World War I (1914–1918). French speakers refer to the period as the "Années folles" ('crazy years'), emphasizing the era's social, artistic, and cultural dynamism.
During the 1920s, the world population increased from 1.87 to 2.05 billion, with approximately 700 million births and 525 million deaths in total. (Full article...)
The Cat and the Canary is a 1927 American silentcomedy horror film directed by the German Expressionist filmmaker Paul Leni. An adaptation of John Willard's 1922 black-comedy play of the same name, the film stars Laura La Plante as Annabelle West, Forrest Stanley as Charlie Wilder, and Creighton Hale as Paul Jones. The plot revolves around the death of Cyrus West, who is Annabelle, Charlie, and Paul's uncle, and the reading of his will twenty years later. Annabelle inherits her uncle's fortune, but when she and her family spend the night in his haunted mansion, they are stalked by a mysterious figure. Meanwhile, a lunatic mainly known as the Cat escapes from an asylum and hides in the mansion.
The film is part of the genre of comedy horror films inspired by 1920s Broadway stage plays. Leni's adaptation of Willard's play blended expressionism with humor, a style for which Leni was notable and recognized by critics as unique. His directing style made The Cat and the Canary influential in the "old dark house" genre of films popular from the 1930s through the 1950s. The film was one of Universal's early horror productions and is considered "the cornerstone of Universal's school of horror". The play has been filmed five other times, most notably in 1939, starring Bob Hope and Paulette Goddard. (Full article...)
Siegmund "Zishe" Breitbart (1893–1925), shown here pulling a heavy weight using only his teeth, was a Polishstrongman and circus performer who was known as the "Strongest Man in the World" during the 1920s. He was widely popular in both Europe and the U.S., but died at the age of 32 after an accident during a performance.
After moving to New York City, Hearst acquired the New York Journal and fought a bitter circulation war with Joseph Pulitzer's New York World. Hearst sold papers by printing giant headlines over lurid stories featuring crime, corruption, sex, and innuendos. Hearst acquired more newspapers and created a chain that numbered nearly 30 papers in major American cities at its peak. He later expanded to magazines, creating the largest newspaper and magazine business in the world. Hearst controlled the editorial positions and coverage of political news in all his papers and magazines, and thereby often published his personal views. He sensationalized Spanish atrocities in Cuba while calling for war in 1898 against Spain. Historians, however, reject his subsequent claims to have started the war with Spain as overly extravagant. (Full article...)
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... that Cleo Damianakes's 1920s book dust jacket designs "made sex respectable", but Hemingway did not like the "large misplaced breasts" on A Farewell to Arms?